Authors Beginning With the Letter W

• Wagner, Anton

  • 2010 — “Jerry Wasserman, ed. Spectacle of Empire: Marc Lescarbot's Theatre of Neptune in New France.”
  • 1998 — “Don Rubin, ed. Canadian Theatre History: Selected Readings”
  • 1991 — “Martin Banham, ed. The Cambridge Guide to World Theatre”
  • 1988 — “Infinite Variety or a Canadian 'National' Theatre: Roly Young and the Toronto Civic Theatre Association, 1945-1949”
  • 1987 — “Elsie Park Gowan: Distinctively Canadian”
  • 1985 — “Herman Voaden's 'New Religion'”
  • 1983 — “Dr Lawrence Mason, Music and Drama Critic 1924-1939”
  • 1982 — “Geraldine Anthony. Gwen Pharis Ringwood”

• Wagner, Colleen

  • 2005 — “The Morning Bird”

• Walker, Craig Stewart

  • 1995 — “Ship of Death: Eschatology in Michael Cook's Quiller”
  • 1994 — “Elegy, Mythology and the Sublime in Michael Cook's Colour the Flesh the Colour of Dust”

• Wallace, Robert

  • 1989 — “Richard Perkyns, ed. Major Plays of the Canadian Theatre, 1934-1984; Richard Plant, ed. Modern Canadian Drama; Jerry Wasserman, ed. Modern Canadian Plays”

• Warner, Mary Jane

  • 1991 — “Anne Fairbrother Hill: 'A Chaste and Elegant Dancer'”

• Warnken, Wendy

  • 1988 — “A Study of Ontario's Performing Arts Resources”

• Wasserman, Jerry

  • 2014 — “Roberta Barker and Kim Solga, (eds.). New Canadian Realisms. New Essays on Canadian Theatre, vol. 2. Toronto: Playwrights Canada Press, 2012.”
  • 2009 — “Whose Blues?”
  • 2001 — “Anne Nothof, ed. Sharon Pollock: Essays on Her Work”
  • 1992 — “Gerald D. Parker. How to Play: The Theatre of James Reaney”
  • 1987 — “Büchner in Canada: Woyzeck and the Development of English-Canadian Theatre”

• Watanabe, Anthony M.

  • 1996 — “Petit-Tchaïkovski et ses Paratextes: Le Cas du Titre”

• Watkin, Jessica

  • 2019 — “Kirsty Johnston “Disability Theatre and Modern Drama: Recasting Modernism””

• Weale, Josh

  • 2005 — “Bruce Barton, ed. Marigraph: Gauging the Tides of Drama from New Brunswick, Nova Scotia and Prince Edward Island.”
  • 2005 — Avec Belliveau, George et Lea, Graham, “TheatrePEI:”

• Weiss, Peter Eliot

  • 1999 — “Linda Mason Green & Tedde Moore. Standing Naked in the Wings”

• Weltsek, Gus

  • 2007 — Avec Medina, Carmen et Belliveau, George, “Performing Academic Spaces:”

• Wessels, Anne

  • 2012 — Avec Gallagher, Kathleen et Ntelioglou, Burcu Wayman, “Verbatim Theatre and Social Research:”

• White, Zaren Healey

  • 2013 — “Judith Rudakoff, ed. TRANS(per)FORMING Nina Arsenault: An Unreasonable Body of Work”

• Whittaker, Herbert

  • 1990 — “John Le Vay. Margaret Anglin: A Stage Life”

• Whittaker, Robin C.

  • 2017 — “Book Reviews / Comptes Rendus”
  • 2016 — “TONY NARDI TWO LETTERS … And Counting!”
  • 2014 — “The Professionalization of a Stage Naturalist, the Making of a Mythmaker”
  • 2014 — “The Trades of T.R.i.C.”
  • 2011 — “The Casting and Makeup of Drama, Theatre, and Performance Studies in Canada:”
  • 2009 — “Fusing the Nuclear Community:”
  • 2006 — “Postmodern Display:”

• Wilson, Ann

  • 2012 — “Linda Burnett, ed. Theatre in Atlantic Canada.; Laura Levin, ed. Theatre and Performance in Toronto.”
  • 2000 — “Helen Gilbert and Joanne Tompkins. Post-colonial Drama: Theory, Practice, Politics”

• Winter, Jack

  • 2004 — “Perry and Other Voices”

• Wise, Jennifer

  • 2015 — Avec Jerke, Lauren, “Liz Gorrie and the Kaleidoscope Alternative”
  • 2008 — “Natalie Rewa. Scenography in Canada: Selected Designers.”

• Wolfe, Graham

  • 2013 — “Normand Chaurette's Fragments d'une Lettre d'Adieu Lus Par des Geologues and the Žižekian Death Drive”

• Wong, Danielle

  • 2020 — “Close Encounters Under the Muslim Ban: Mobile Media, Intimacy, and Augmented Whiteness”

• Worthen, W. B.

  • 2012 — “Rob Appleford, ed. Aboriginal Drama and Theatre. Vol. 1; Alan Filewod, ed. Theatre Histories. Vol. 13; Susan Knutson, ed. Canadian Shakespeare. Vol. 18”

• Wright, Kailin

  • 2014 — “Performing Cultural Crossroads”

• Wunker, Erin

  • 2010 — “The. Women. The Subject(s) of The Unnatural and Accidental Women and Unnatural and Accidental”