Authors Beginning With the Letter H

• Haines, Charles

  • 1991 — “Letter to the Editors”
  • 1990 — “Diane Mew, ed. Life before Stratford: The Memoirs of Amelia Hall and Martha Harron, Don Harron - a Parent Contradiction”

• Halebsky, Judith

  • 2013 — “Constellation Translation: A Canadian NohPlay”

• Halferty, J. Paul

  • 2014 — “For the Future, the Past”
  • 2006 — “Queer and Now:”

• Halpenny, Francess G.

  • 1996 — “Paula Sperdakos. Dora Mavor Moore: Pioneer of the Canadian Theatre”
  • 1990 — “Eugene Benson and L.W. Conolly eds. The Oxford Companion to Canadian Theatre”

• Hamel, Monique

  • 2018 — “La question du « réel et son double » dans les créations théâtrales au secondaire”

• Hannah, Don

  • 2005 — “My Father's Age”

• Hanson, Nicholas

  • 2013 — “Solo Census”
  • 2010 — “Robin C. Whittaker, ed. Hot Thespian Action!: 10 Premiere Plays from Walterdale Playhouse”

• Harbonnier-Topin, Nicole

  • 2014 — “Review of Dance Research in Quebec”

• Hare, John

  • 1981 — Avec Hathorn, Ramon, “Sarah Bernhardt's Visits to Canada: Dates and Repertory”

• Hare, John E.

  • 1986 — “Rémi Tourangeau et Raymond Pagé (sous la direction de). Répertoire des troupes de Trois-Rivières”
  • 1986 — “Rémi Tourangeau. Trois-Rivières en liesse. Aperçu historique des fêtes du tricentenaire”

• Harris, Kristin

  • 2002 — “From the Kitchen to the Stage: The Recontextualization of Set Dancing in St. John's, Newfoundland and Labrador”

• Harvie, Jennifer

  • 1998 — “The Efficacy of Current Graduate Theatre and Drama Training, and Suggestions for Change”
  • 1997 — With Barton, Bruce, Graham, Catherine, Huffman, Shawn, Keshvani, Shemina, and Moser, Marlene, “Eugene Benson and L.W. Conolly, eds. The Oxford Companion to Canadian Theatre”
  • 1995 — “The Real Nation? Michel Tremblay, Scotland, and Cultural Translatability”
  • 1994 — Avec Knowles, Richard Paul, “Dialogic Monologue: A Dialogue”
  • 1992 — “Constructing Fictions of an Essential Reality or 'This Picksur Is Niiiice': Judith Thompson's Lion in the Streets”

• Hathorn, Ramon

  • 1985 — “André Duval. Place Jacques-Cartier ou quarante ans de théâtre français à Québec, 1871-1911”
  • 1981 — Avec Hare, John, “Sarah Bernhardt's Visits to Canada: Dates and Repertory”
  • 1980 — “Jean LaFlamme and Rèmi Tourangeau. L'Eglise et le théâtre au Québec”

• Hawkins, John A.

  • 2000 — “Anne Nothof, editor. Ethnicities: Plays from the New West”
  • 1998 — “The Apex and the Base of the Pyramid: The Context for Postwar Postsecondary Educational Theatre in Canada”

• Hayne, David M.

  • 1985 — “Pierre Lavoie. Pour suivre le théâtre au Québec: les ressources documentaires”

• Heatley, Stephen

  • 2012 — “Ginny Ratsoy, ed. Theatre in British Columbia; Anne Nothof, ed. Theatre in Alberta.”

• Henderson, Julia

  • 2020 — “Disrupting Age Stereotypes in Theatre for Young Audiences with Older-Bodied Puppets”
  • 2016 — “Challenging Age Binaries by Viewing King Lear in Temporal Depth”

• Hendry, Tom

  • 1993 — “Denis Johnston. Up The Mainstream: The Rise of Toronto's Alternative Theatres”

• Heywood, Jennifer

  • 2017 — Avec Houle , Gabrielle, “Navigating the Rapids”

• Hoffman, James

  • 2017 — “KAILIN WRIGHT, ed. The God of Gods: A Canadian Play By Carroll Aikins: A Critical Edition. University of Ottawa Press, 2016. 138 pp.”
  • 2000 — “Captain George Vancouver and British Columbia's First Play”
  • 1995 — “Genre Contention at the New Play Centre”
  • 1988 — “Christopher Innes. The Canadian Dramatist, Vol I. Politics and the Playwright: George Ryga”
  • 1987 — “L. Bullock-Webster and the B.C. Dramatic School, 1921-1932”
  • 1986 — “Carroll Aikins and the Home Theatre”

• Hotte, Lucie

  • 2007 — Avec Melançon, Johanne, “De French Town au Testament du couturier:”

• Houle , Gabrielle

  • 2017 — Avec Heywood, Jennifer, “Navigating the Rapids”

• Houston, Andrew

  • 2019 — “Majdi Bou-Matar’s Impact”
  • 2015 — “Dis-ing the Main Drag and Walking toward the Public Good in Here Be Dragons”
  • 2000 — “Ric Knowles. The Theatre of Form and the Production of Meaning”

• Houston, Andy

  • 2008 — Avec Levin, Laura, “Introduction”
  • 2008 — Avec Levin, Laura, “Présentation”

• Howard, Philip S. S.

  • 2020 — “Getting Under the Skin: Antiblackness, Proximity, and Resistance in the SLĀV Affair”

• Howarth, Caroline

  • 2020 — Avec Ouchi, Mieko et Acton, Kelsie, “A Conversation about Songs My Mother Never Sung Me”

• Hrynyshyn, Mariyka

  • 2012 — Avec Gaboury-Diallo, Lise, “L'annonce faite au rvinant :”

• Huffman, Shawn

  • 2005 — “Chantal Hébert et Irène Perelli-Contos (sous la direction), Le théâtre et ses nouvelles dynamiques narratives.”
  • 1997 — With Barton, Bruce, Graham, Catherine, Harvie, Jennifer, Keshvani, Shemina, and Moser, Marlene, “Eugene Benson and L.W. Conolly, eds. The Oxford Companion to Canadian Theatre”
  • 1996 — “Mettre la Scène en Cage: Provincetown Playhouse et Le Syndrome de Cézanne”

• Hughes, Alan

  • 1988 — “Historical Facts: The Charles Kean Company in Victoria”
  • 1984 — “L.W. Conolly, ed. Theatrical Touring and Founding in North America”

• Hughes, Bethany

  • 2018 — “YVETTE NOLAN AND RIC KNOWLES, eds. Performing Indigeneity: New Essays on Canadian Theatre, Volume 6. Toronto: Playwrights Canada Press, 2016. 400 pp.”

• Hulan, Renée

  • 1994 — “Surviving Translation: Forever Yours, Marie-Lou at Tarragon Theatre”

• Hunt, Nigel

  • 1991 — “The Pretext of the Post-text: Thoughts on Play Publishing by Smaller Canadian Presses”

• Hunt, Rosemary

  • 2000 — “Carol Bolt, editor; Tim Bolase, Compiler. Who Asked Us Anyway?: A Collection of Plays Celebrating the First Twenty Years of the Labrador Creative Arts Festival”

• Hurley, Erin

  • 2014 — Avec Guay, Hervé, “Introduction: Quebecois Theatre without Borders”
  • 2014 — Avec Guay, Hervé, “Présentation : Théâtre québécois sans frontières”
  • 2012 — “Reviews of the Critical Perspectives on Canadian Theatre in English series”
  • 2010 — “Aleksandar Saša Dundjerović. The Theatricality of Robert Lepage.”
  • 2004 — “Devenir Autre:”
  • 2000 — “Helen Gilbert. (Post)Colonial Stages: Critical and Creative Views on Drama, Theatre and Performance”
  • 1998 — “On Interdisciplinarity”