Authors Beginning With the Letter S

• Saddlemyer, Ann

  • 2003 — “Ronald Bryden: 1927-2004”
  • 1987 — “On the Necessity of Criticising Criticism”
  • 1980 — Avec Plant, Richard, “Editorial”

• Saint-Jacques, Diane

  • 1998 — “Mise en Action et Mise en Fiction: Le Processus de Production en Improvisation”
  • 1995 — “André Maréchal. Art Dramatique/ Repères Pédagogiques: Une Suite de Fragments Dans une Brève Continuité”

• Saint-Pierre, Annette

  • 1983 — “Anton Wagner, ed. Canada's Lost Plays, Volume Four, Colonial Quebec: French-Canadian Drama, 1606-1966”
  • 1980 — Avec Forsyth, Louise H. et Johnson, Christopher, “Reviews”

• Salisbury, Jenny

  • 2016 — “Thinking a Public University”

• Salter, Denis

  • 1992 — “On Native Ground: Canadian Theatre Historiography and the Postmodernism / Postcolonialism Axis”
  • 1985 — “Diane Bessai and Don Kerr, eds. Showing West: Three Prairie Docu-Dramas”
  • 1984 — “At Home and Abroad: The Acting Career of Julia Arthur (1869-1950)”

• Salverson, Julie

  • 1999 — “Transgressive Storytelling or an Aesthetic of Injury: Performance, Pedagogy and Ethics”

• Samur, Sebastian

  • 2019 — Avec Budde, Antje, “Making Knowledge/Playing Culture”
  • 2017 — ““In Sundry Languages””
  • 2016 — “Witnessing the Growth of a Collective Animal”

• Sarker, Senjuti Aurora

  • 2020 — With Shaffeeullah, Nikki, Arlow, Nevada Jane, and Boulay, Jenn, “Manifesting the Future”

• Schotzko, T. Nikki Cesare

  • 2016 — “ERIN HURLEY, ed. Theatres of Affect . New Essays on Canadian Theatre, Volume Four.”
  • 2015 — ““I Haven't Got Time for the Pain””

• Schryburt, Sylvain

  • 2014 — “Esquisse d’une sociologie des réseaux festivaliers. Le cas du Festival TransAmériques de Montréal”
  • 2003 — “Sabourin, Jean-Guy. Une Fenêtre sur la Modernité. Les Apprentis- Sorciers (1955-1968)”

• Schweitzer, Marlis

  • 2016 — “Introduction”
  • 2016 — “Introduction”
  • 2015 — “Introduction : repousser les limites”
  • 2015 — “Introduction: Pushing the Limits”
  • 2014 — “An “Unmanly and Insidious Attack””
  • 2014 — With Barker, Roberta, Davis-Fisch, Heather, Johnston, Kirsty, Levin, Laura, and Solga, Kim, “Canadian Performance Genealogies”
  • 2014 — “Editorial Introduction”
  • 2014 — Avec Johnson , Stephen, “Gender and Empire”
  • 2014 — Avec Johnson , Stephen, “Genre et empire”
  • 2014 — “Mot de la rédactrice”
  • 2013 — “Editorial Note from the Incoming Editor”
  • 2013 — Avec Nichols, Glen, “Introduction”
  • 2013 — Avec Nichols, Glen, “Introduction”
  • 2013 — “Message de la Nouvelle Rédactrice en Chef”
  • 2004 — “Stepping on Stiletto:”

• Scott, Shelley

  • 2018 — “Liberal Education, Entrepreneurship, and the Law”
  • 2018 — ““The snow is a moving shroud”: Still Stands the House and Murder on the Canadian Stage”
  • 2014 — “Women's Theatre Festivals as Counterpublics”
  • 2010 — “Sickness and Sexuality:”
  • 2008 — “Marc Maufort and Franca Bellarsi, eds. Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Brussels: P.I.E. - Peter Lang, 2002. 343 pp.”
  • 2001 — “A Fringe Odyssey: 20th Annual Edmonton Fringe Theater Festival, August 16-26, 2001”
  • 2001 — “Violent Women: The Bernardo/Homolka Case in Famous by Carol Bolt and Paul's Case by Lynn Crosbie”
  • 2000 — “Linda Griffiths. Sheer Nerve: Seven Plays”
  • 1998 — “University of Toronto's Graduate Centre for Study of Drama”
  • 1997 — “Collective Creation and the Changing Mandate of Nightwood Theatre”

• Sell, Mike

  • 2014 — “Committing Theatre: Theatre Radicalism and Political Intervention in Canada by Alan Filewod. Toronto: Between the Lines, 2011.”

• Senyshyn, Dimitry

  • 2011 — “Memorial Reconstructions:”

• Severini, Giorgia

  • 2010 — “"You do not understand ME":”

• Shaffeeullah, Nikki

  • 2020 — With Arlow, Nevada Jane, Boulay, Jenn, and Sarker, Senjuti Aurora, “Manifesting the Future”

• Shand, G.B.

  • 1995 — “Response”

• Shawyer, Susanne

  • 2016 — ““How's Work?” Tackling the Issues of Academic Labour One Scholar at a Time”

• Sidnell, Michael J.

  • 1991 — “Robert Wallace. Producing Marginality: Theatre and Criticism in Canada”

• Silver, Cassandra

  • 2017 — “Making the Bedouins”

• Simon, Sherry

  • 2005 — “Louise Ladouceur, Making the Scene. La traduction du théâtre d'une langue officielle à l'autre.”

• Skidmore, Jamie

  • 2004 — “Fred Euringer. A Fly on the Curtain.”

• Skinner, Ches

  • 2000 — “"It Was Our North Land That We Saw": Willard Mack and The Great Northwest”

• Smith, Annie

  • 2017 — “Indigenous Languages on Stage”
  • 2016 — “YVETTE NOLAN. Medicine Shows: Indigenous Performance Culture.”
  • 2010 — “Monique Mohica and Ric Knowles, eds. Staging Coyote's Dream: An Anthology of First Nations Drama in English, Vol. I and Vol. II”

• Smith, Catherine

  • 2000 — “Chris Johnson. Essays on George F. Walker: Playing with Anxiety”

• Smith, J. Percy

  • 1994 — “Keith Garebian. George Bernard Shaw and Christopher Newton: Explorations of Shavian Theatre”

• Smith, Karina

  • 2013 — “North-South Theatre Exchanges”

• Smith, Mary Elizabeth

  • 1997 — “"One Must Please to Live": The Survival of Harry Lindley in Atlantic Canada”
  • 1984 — “Measure by Measure and Other Political Satires from New Brunswick”
  • 1982 — “Shakespeare in Atlantic Canada During the Nineteenth Century”
  • 1981 — “Responses to Theatre in Nineteenth-Century Saint John, New Brunswick”

• Solga, Kim

  • 2020 — Avec Pop, Antonia et Trojanowska, Tamara, “Editorial Introduction”
  • 2020 — Avec Pop, Antonia et Trojanowska, Tamara, “Un mot de l'équipe de rédaction”
  • 2018 — “Introduction: Hearing Women's Stories”
  • 2018 — “Introduction: Teaching / Editing”
  • 2018 — “Présentation: Pédagogie et édition”
  • 2018 — “Présentation: Écouter les histoires des femmes”
  • 2017 — “Introduction”
  • 2017 — “Présentation :”
  • 2014 — With Barker, Roberta, Davis-Fisch, Heather, Johnston, Kirsty, Levin, Laura, and Schweitzer, Marlis, “Canadian Performance Genealogies”
  • 2012 — “Peter Dickinson World Stages, Local Audiences: Essays on Performance, Place, and Politics.”
  • 2008 — “The Line, the Crack, and the Possibility of Architecture:”

• Sparkes, Richard

  • 2003 — “Seymour B. Sarason. Teaching as a Performing Art”

• Sperdakos, Paula

  • 2006 — “Robert Cushman. Fifty Seasons at Stratford. Toronto: McClelland & Stewart/ Madison Press, 2002. 224 pp. Illus. Hardcover. Martin Hunter. Romancing the Bard: Stratford at Fifty. Toronto: Dundurn Press, 2001. 304 pp. Illus. Hardcover. Richard Ouzounian. Stratford Gold: 50 years, 50 Stars, 50 Conversations. Toronto: McArthur & Company, 2002. Hardcover.”
  • 1999 — “Canada's Daughters, America's Sweethearts: The Careers of Canadian 'Footlight Favorites' in the United States”
  • 1998 — “Acting in Canada: Frances Hyland, Kate Reid, Martha Henry and the Stratford Festival's 1965 The Cherry Orchard”
  • 1989 — “Dora Mavor Moore: Before the New Play Society”

• Stedman, Sam

  • 2008 — “Free Fall:”

• Stenberg, Josh

  • 2017 — “Staging the International Embrace”

• Stenburg, Josh

  • 2016 — “Book Reviews/Comptes Rendus”

• Stephenson, Jenn

  • 2016 — ““Please Look at Yourself””
  • 2014 — “A List of Questions About How We Ask Questions Some Thoughts on KMb and Theatre”
  • 2010 — “Kneading You:”
  • 2010 — “Sherrill Grace and Jerry Wasserman, eds. Theatre and AutoBiography: Writing and Performing Lives in Theory and Practice”

• Stuart, Ross

  • 1989 — “Katherine Holmes, ed. Celebrating!: Twenty-Five Years on the Stage at the Shaw Festival; Katherine Holmes, ed. The Pictorial Stage: Twenty-Five Years of Vision and Design at the Shaw Festival”
  • 1984 — “Arnold Edinborough. The Festivals of Canada”
  • 1982 — “Diane Bessai, ed. Prairie Performance”

• Sullivan, Maryse

  • 2017 — “Écrire et se traduire ”

• Sutherland, Richard

  • 1995 — “The Gallimaufry and the Roots of Alternative Theatre in Vancouver”