Authors Beginning With the Letter J

• Jacobson, Kelsey

  • 2018 — Avec Gallagher, Kathleen et Mealey, Scott, “Accuracy and Ethics, Feelings and Failures: Youth Experimenting with Documentary Practices of Performing Reality”
  • 2018 — “Through the Fictive to the Real(ish): Affective Time and the Representation of “Real Newfoundland” in Rising Tide Theatre’s Trinity Pageant”

• Jacques, Hélène

  • 2006 — “STÉPHANIE NUTTING et FRANCOIS PARÉ Jean Marc Dalpé. Ouvrier d'un dire, actes du colloque tenu du 16 au 18 septembre 2004 à l'Université de Guelph”
  • 2004 — “Nutting, Stéphanie, Le tragique dans le théâtre québécois et canadien-français, 1950-1989.”
  • 2003 — “Lucie-Marie Magnan et Christian Morin. 100 Pièces du Théâtre Québécois qu'il Faut Lire et Voir”

• Jafine, Hartley

  • 2016 — “Book Reviews/Comptes Rendus”

• Jenckes, Norma

  • 1984 — Avec Bains, Yashdip Singh, “Fanny Kemble and Charles Kemble: As Canadians Saw Them in 1833”

• Jerke, Lauren

  • 2015 — Avec Wise, Jennifer, “Liz Gorrie and the Kaleidoscope Alternative”

• Johnson, Chris

  • 1997 — “George F. Walker. Shared Anxiety: Selected Plays”
  • 1995 — “Diane Bessai. The Canadian Dramatist, Volume Two: Playwrights of Collective Creation”
  • 1988 — “George F. Walker Directs George F. Walker”

• Johnson, Christopher

  • 1980 — Avec Saint-Pierre, Annette et Forsyth, Louise H., “Reviews”

• Johnson, Elizabeth Lominska

  • 1996 — “Cantonese Opera in Its Canadian Context: The Contemporary Vitality of an Old Tradition”

• Johnson , Stephen

  • 2014 — Avec Schweitzer, Marlis, “Gender and Empire”
  • 2014 — Avec Schweitzer, Marlis, “Genre et empire”
  • 2014 — “Romulus and Ritual in the Beverly Swamp”
  • 1997 — “Introduction”
  • 1992 — “'Getting to' Canadian Theatre History: On the Tension Between the New History and the Nation State”
  • 1990 — “Old Theatres for New: A Review Essay on Publications Related to the Re-Opening of the Elgin/Winter Garden Complex and the Pantages Theatre in Toronto”
  • 1985 — “John C. Lindsay. Turn Out the Stars Before Leaving”

• Johnston, Denis

  • 1998 — “Ann Saddlemyer, ed. Early Stages: Theatre in Ontario 1800-1914 and Ann Saddlemyer and Richard Plant, eds. Later Stages: Essays in Ontario Stages from the First World War to the 1970s”
  • 1996 — “Judith Rudakoff, ed. Dangerous Traditions: A Passe Muraille Anthology”

• Johnston, Kirsty

  • 2016 — “Introduction”
  • 2016 — “Introduction”
  • 2014 — With Barker, Roberta, Davis-Fisch, Heather, Levin, Laura, Schweitzer, Marlis, and Solga, Kim, “Canadian Performance Genealogies”
  • 2009 — “Building a Canadian Disability Arts Network:”
  • 2006 — “SHARON POLLOCK. Blood Relations and Other Plays”

• Joncas, Catherine

  • 2020 — Avec Durand, Yves Sioui, “Ô Kanata”

• Jones, Heather

  • 1995 — “Rita Much, ed. New Canadian Drama 6”

• Jones, Matt

  • 2020 — “Citizen in Exception: Omar Khadr and the Performative Gap in the Law”
  • 2015 — “Yana Meerzon. Performing Exile, Performing Self: Drama, Theatre, Film.”

• Jordão, Aida

  • 2017 — “The Alt Stage and the Po-mo Page”
  • 2011 — “Tim Prentki and Sheila Preston, eds. The Applied Theatre Reader.”

• Joubert, Ingrid

  • 1986 — “Quoi de neuf dans l'ouest Canadien-Francais?”
  • 1984 — “Monique Genuist. Languirand et l'absurde”
  • 1983 — “Marcien Ferland. Les Batteux”
  • 1982 — “Rosemarie Bissonnette. Une Bagarre Très politique”

• Jubinville, Yves

  • 2014 — “Theatre Studies in Quebec at the Crossroads”