Authors Beginning With the Letter D

• D'Aeth, Eve

  • 2000 — “Nakai: A Northern Theater”

• Daigle, France

  • 2005 — “Craie”

• Daniher, Colleen Kim

  • 2020 — Avec Zien, Katherine, “Introduction: Race and Performance in the US-Canada Borderlands”
  • 2018 — “On Teaching Kim’s Convenience: Asian American Studies, Asian Canadian Studies, and the Politics of Race in Asian Canadian Theatre and Performance Studies”

• Davies, Robertson

  • 1982 — “Robertson Davies on the Young Vincent Massey”

• Davis, Des

  • 1981 — “Joyce Doolittle and Zina Barnieh. A Mirror of Our Dreams”

• Davis-Fisch, Heather

  • 2014 — With Barker, Roberta, Johnston, Kirsty, Levin, Laura, Schweitzer, Marlis, and Solga, Kim, “Canadian Performance Genealogies”
  • 2014 — “Lawless Lawyers”
  • 2011 — “Girls in "White" Dresses, Pretend Fathers:”

• Davis, Tracy C.

  • 2019 — “Natalie Alvarez “Immersions in Cultural Difference: Tourism, War, Performance””
  • 2014 — “Book Reviews / Comptes Rendus”

• Day, Moira

  • 2018 — “Drama and the Liberal Arts at the University Level: Connecting Present, Past, and Future”
  • 2017 — “Ryga, Miss Donohue, and Me”
  • 2016 — “Book Reviews/Comptes Rendus”
  • 2006 — Avec Beavis, Mary Ann, “Introduction”
  • 2006 — Avec Beavis, Mary Ann, “Présentation”
  • 2004 — “The Portrait of the Artist in Old Age:”
  • 1999 — Avec Perkins, Don, “Introduction”
  • 1993 — “Elsie Park Gowan's (re)-Building of Canada, 1937-1938: Revisioning the Historical Radio Series through Feminist Eyes”
  • 1991 — “'The Country Mouse at Play': Theatre in the Peace River District 1914-1945”
  • 1990 — “William Aberhart: The Evangelist as Subversive Political Dramatist”
  • 1988 — “Nancy Bell, ed. Five From the Fringe; Denis Salter, ed. New Canadian Drama 3: Albertan Dramatists”
  • 1987 — Avec Potts, Marilyn, “Elizabeth Sterling Haynes: Initiator of Alberta Theatre”
  • 1985 — “Moira Day. Staging W. H. Fuller's H.M.S. Parliament”

• Day, Moira J.

  • 2012 — “Dwayne Brenna. Our Kind of Work: The Glory Days and Difficult Times of 25th Street Theatre.”

• de Guevara, Lina

  • 2015 — “Impact of the Immigrant Experience on My Theatre Career”

• de Viveiros, Geneviève

  • 2015 — “Le Tour du monde en 80 jours”

• Debenham, Diane

  • 1991 — “Mavor Moore. Six Plays by Mavor Moore”

• Defraeye, Piet

  • 2020 — “Book Reviews”
  • 2001 — “Peter Dickinson. Here is Queer: Nationalisms, Sexualities and the Literatures of Canada”

• Denham, Paul

  • 1990 — “Don Perkins ed. Deverell of the Glove: Selected Plays by Rex Deverell”

• Dénomme-Welch, Spy

  • 2015 — “Jean O'Hara, ed. Two-Spirit Acts:Queer Indigenous Performances.”

• Derbyshire, Jan

  • 2016 — “Infrequently Asked Questions, or”

• Derksen, Céleste

  • 1994 — “Out of the Closet: Dramatic Works by Sarah Anne Curzon Part One. Woman and Nationhood: Laura Secord, the Heroine of 1812”
  • 1994 — “Out of the Closet: Dramatic Works by Sarah Anne Curzon Part Two. Re-Dressing Gender Inequality: The Sweet Girl Graduate”

• Derkson, Carmen

  • 2012 — “Walking the Edge of the Stage in Theory; Or, Janet Cardiff's Sensorium for Intermedial Bodies”

• Des Landes, Claude

  • 1982 — With Kilbourn, William, Roberts, Jean, Gardner, David, Peacock, David, and Learning, Walter, “The Canada Council and the Theatre: The Past Twenty-Five Years and Tomorrow”

• Devine, Michael

  • 2005 — “Guest Co-Editor's Introduction”
  • 2005 — “Présentation de la co-rédacteur invitée”
  • 2004 — “Cultural Evolution in Newfoundland Theatre:”

• Dewolf, Linda

  • 2003 — “La Place du Surtitrage Comme Mode de Traduction et Vecteur D'échange Culturel pour les Arts de la Scéne”

• Dhaliwal, Preeti Kaur

  • 2020 — “Re-embodying Jurisprudence: Performance Art and Intersections of Race and Law”

• DiCenzo, Maria

  • 1991 — “Judith Rudakoff and Rita Much. Fair Play: Twelve Women Speak. Conversations with Canadian Playwrights”

• Dickinson, Peter

  • 2014 — “PuShing Performance Brands in Vancouver”

• DiLiberto, Lisa Marie

  • 2020 — “Balancing Act”

• Disman, Adriana

  • 2015 — “FORUM”
  • 2015 — “Towards Anti-Disciplinarity:”

• Dokumaci, Arseli

  • 2016 — Avec Zien, Katherine, “A Mobile Social Realm: Labour, Sovereignty, and Subjecthood in Disabled Theater / Affordance Creations of Disability Performance: Limits of a Disabled Theater”

• Dolbec, Nathalie

  • 1997 — “Une Stratégie Descriptive Dans La Sagouine D'Antonine Maillet: L'énumération”

• Doolittle, Joyce

  • 1992 — “Moira Day, ed. The Hungry Spirit: Selected Plays and Prose of Elsie Park Gowan”

• Doolittle, Lisa

  • 2016 — With Chasse, Callista, Makoloski, Corey, Boyd, Pamela, and Yassi, Annalee, “May I have this dance?”

• Doonan, Natalie

  • 2015 — “Techniques of Making Public”

• Doucette, L. E.

  • 1992 — Avec Plant, Richard, “A Word From the Editors”
  • 1985 — “Louis Riel sur Scène: L'état de la Dramaturgie Québécoise en 1886”
  • 1984 — “Theatre and the Politics of Confederation: Elzéar LaBelle's La Conversion d'un Pêcheur de la Nouvelle-Écosse”
  • 1982 — “Les Comédies du Statu Quo - Part II and The Fourth Comédie du Statu Quo 1834”
  • 1981 — “"Les Comédies du Statu Quo" (1834): Political Theatre and Para-Theatre in French Canada, Part I”

• Drennan, Barbara

  • 1993 — “Robert Lecker ed. Canadian Canons: Essays in Literary Value”
  • 1992 — “Theatre History-Telling: New Historiography, Logic and the Other Canadian Tradition”

• Drouin, Jennifer

  • 2006 — “Daughters of the Carnivalized Nation in Jean-Pierre Ronfard's Shakespearean Adaptations Lear and Vie et mort du Roi Boiteux”

• Duchesne, Scott

  • 2006 — “The Impossible Theatre:”
  • 1999 — “Mike is the Message: Performing the Common Sense Revolution”
  • 1997 — “"A Golf Club for the Golden Age": English Canadian Theatre Historiography and the Strange Case of Roy Mitchell”

• Durand, Yves Sioui

  • 2020 — Avec Joncas, Catherine, “Ô Kanata”