Authors Beginning With the Letter P

• Page, Malcolm

  • 2000 — “Jeremy Long. The Final Performance of Nijinsky, St Moritz-Dorf, 1919”
  • 1989 — “Mary Jane Miller. Turn up the Contrast: CBC Television Drama since 1952”
  • 1988 — “Savage God in Vancouver, 1966-72: A Documentary Account”
  • 1987 — “Carol Bolt, Ann Cameron, Margaret Hollingsworth, Beverly Rosen (Simons), Barbara Sapergia, Audrey Thomas. 'Sextet': Plays by Women on CBC Radio, 1986”
  • 1982 — “Don Rubin and Alison Cranmer-Byng eds. Canada's Playwrights: A Biographical Guide”
  • 1981 — “Change in Vancouver Theatre, 1963-80”

• Pagé, Raymond

  • 1986 — Avec Blouin, Louise, “Le Phénomène des adaptations à la radio Québécoise (1939-1949)”

• Paré, François

  • 2004 — “André Paiement. Les partitions d'une époque. Les pièces d'André Paiement et du Théâtre du Nouvel-Ontario (1971-1976); Micheline Fournier-Thibault. André Paiement (1950-1978), avant tout un homme de son temps”
  • 2003 — “Mariel O'Neill-Karch et Pierre Karch, eds. Augustin Laperrière, Les Pauvres de Paris, Une Partie de Plaisir à la Caverne de Wakefield ou Un Monsieur Dans une Position Critique et Monsieur Toupet ou Jean Bellegueule”

• Parent, Roger

  • 2002 — “Théâtre et Identité I: Deux Approches au Théâtre Professionnel Régional”
  • 2002 — “Théâtre et Identité II: Les Modalités de L' échange”

• Partington, Richard

  • 1997 — “The Jupiter Theatre's Canadian Content and the Critics, 1951-1954”

• Peacock, David

  • 1982 — With Kilbourn, William, Roberts, Jean, Gardner, David, Des Landes, Claude, and Learning, Walter, “The Canada Council and the Theatre: The Past Twenty-Five Years and Tomorrow”

• Peacock, Gordon

  • 1984 — “Anton Wagner, ed. The Brock Bibliography of Published Canadian Plays in English, 1766 to 1978”

• Peake, Linda M.

  • 1987 — “Margaret Hollingsworth. Willful Acts”
  • 1981 — “Establishing a Theatrical Tradition: Prince Edward Island, 1800-1900”

• Pearce, Wes D.

  • 2019 — “Irena R. Makaryk and Kathryn Prince, eds. “Shakespeare in Canada: Remembrance of Ourselves””
  • 2017 — “Book Reviews/Comptes Rendus”

• Pell, Barbara

  • 2006 — “George Ryga's "Hail Mary" and Tomson Highway's Nanabush:”

• Perkins, Don

  • 2001 — “Glenda Stirling, ed. The NeXtFest Anthology: Plays from the Syncrude Next Generation Arts Festival”
  • 2000 — “Neil Carson. Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions”
  • 1999 — Avec Day, Moira, “Introduction”
  • 1994 — “Anton Wagner, ed. A Vision of Canada: Herman Voaden's Dramatic Works 1928-1945”

• Perkyns, Richard

  • 1990 — “A Reader's Response to Two Recent Reviews”
  • 1985 — “Two Decades of Neptune Theatre”

• Perron, Judith C.

  • 1991 — “Théâtre de Collège: Une Interdépendance Précaire en Acadie”

• Perry, Mia

  • 2007 — “Johnny Saldaña, ed. Ethnodrama: An Anthology of Reality Theatre. Walnut Creek CA: AltaMira, 2005. 230 pp.”

• Peterman, Michael

  • 1987 — “Susan Stone-Blackburn. Robertson Davies, Playwright: A Search for the Self on the Canadian Stage”

• Peters, Helen

  • 2005 — “The High School Theatre Enhancement Project in Newfoundland and Labrador with Special Focus on the Labrador Creative Arts Festival”

• Plant, Richard

  • 2002 — With Barton, Bruce, LaDouceur, Louise, Leroux, Patrick, and Kirkley, Bruce, “New "Look," Emerging Vision: A Time For Introductions / Nouveau "Look," Nouvelle Vision: C'est le Moment des Présentations”
  • 1992 — Avec Doucette, L. E., “A Word From the Editors”
  • 1980 — Avec Saddlemyer, Ann, “Editorial”

• Plowman, Robert

  • 2005 — “A Sketch for "Radium City"”

• Poll, Melissa

  • 2015 — “LUDOVIC FOUQUET. The VisualLaboratory of Robert Lepage”
  • 2014 — “Adapting “Le Grand Will” in Wendake: Ex Machina and the Huron-Wendat Nation’s La Tempête”

• Pop, Antonia

  • 2020 — Avec Solga, Kim et Trojanowska, Tamara, “Editorial Introduction”
  • 2020 — Avec Solga, Kim et Trojanowska, Tamara, “Un mot de l'équipe de rédaction”

• Popovic, Pierre

  • 1996 — “L'album du Théâtre Ubu. Mises en scène de Denis Marleau, 1982-1994”

• Posner, Dassia N.

  • 2018 — “MARIE-CHRISTINE AUTANT-MATHIEU AND YANA MEERZON, eds. The Routledge Companion to Michael Chekhov. London: Routledge, 2015. 433 pp.”

• Potts, Marilyn

  • 1987 — Avec Day, Moira, “Elizabeth Sterling Haynes: Initiator of Alberta Theatre”

• Prendergast, Monica

  • 2007 — “Bryant, K. Alexander, Gary L. Anderson and Bernardo P. Gallegos, eds. Performance Theories in Education: Power, Pedagogy and the Politics of Identity. Mahwah, NJ: Lawrence Erlbaum, 2005. 274 pp.”
  • 2007 — “Three Research Poems”

• Preston, VK

  • 2018 — “HEATHER DAVIS-FISCH, ed. Canadian Performance Histories and Historiographies: New Essays on Canadian Theatre, Volume 7. Toronto: Playwrights Canada Press, 2017. 433 pp.”

• Publius, Xavia A.

  • 2019 — “Peter Dickinson, C.E. Gatchalian, Kathleen Oliver, and Dalbir Singh, eds. “Q2Q: Queer Canadian Theatre and Performance: New Essays on Canadian Theatre, Volume 8””