Authors Beginning With the Letter M

• MacArthur, Michelle

  • 2018 — Avec Kandil, Yasmine, “What Zombie Feminist Bouffons Can Offer Applied Theatre: Seduction and Provocation in Death Married My Daughter”
  • 2013 — “The Feminist Spectator As Blogger”

• MacFadden, Patrick D.

  • 1986 — “Peter Ohlin et al. John Grierson and the NFB”

• Macina, Michael

  • 2010 — “Meditation in Two Parts and One Aphorism:”

• Magnat, Virginie

  • 2014 — “Honouring the 3 R's of Indigenous Research Methodologies”

• Mak, Nicole

  • 2012 — Avec Clarke, Marie-Diane, “Théâtre amateur et théâtre professionnel en Saskatchewan :”

• Makoloski, Corey

  • 2016 — With Doolittle, Lisa, Chasse, Callista, Boyd, Pamela, and Yassi, Annalee, “May I have this dance?”

• Malone, Paul

  • 2003 — “"Good Sisters" and "Darling Sisters": Translating and Transplanting the Joual in Micheal Tremblay's Les Belles-Soeurs”

• Mann, George

  • 2000 — “The Sterndale Bennetts: The Masquers Years (1933–1940)”
  • 1993 — “The Sterndale Bennetts: The Formative Years, 1910-1932”

• Mann, Laurin

  • 2011 — “Anna Migliarisi, ed. Stanislavsky and Directing: Theory, Practice and Influence.”
  • 1999 — “"Stanislavski" in Toronto”

• Manole, Diana

  • 2015 — “Accented Actors”
  • 2013 — “From Seaton Village to Global Village:”

• Margeson, John

  • 1983 — “W.O. Mitchell. Dramatic W.O. Mitchell”

• Martina, Natasha

  • 2011 — “Rory McDonald (images editor), and Kathleen Irwin (text editor) Sightin/Citing/Siting: Crossfiring/Mama Wetotan: Theorizing Practice.”

• Martinez, Manuel Garcia

  • 2015 — “Le temps de l'immigré dans Silences, Addolorata et Déjà l'agonie de Marco Micone”

• Matthews, Robin

  • 1987 — “Response to Léa V. Usin, 'A Local Habitation and a Name: Ottawa's Great Canadian Theatre Company'”

• Maufort, Marc

  • 2013 — Avec Gilbert, Reid, “Canadian Performances / Global Redefinitions”
  • 2013 — Avec Gilbert, Reid, “Théâtre Canadien et Redéfinitions Planétaires”

• McAskill, Ashley

  • 2016 — ““Come and see Our Art of Being Real””

• McConney, Denise S.

  • 1999 — “Sheila M. F. Johnston. Buckskin and Broadcloth: A Celebration of E. Pauline Johnson -- Tekahionwake 1861-1913”

• McDonald, Larry

  • 1989 — “Theatre History and the Means of Production: An Analytical Model”
  • 1988 — “Alan Filewod. Collective Encounters: Documentary Theatre in English Canada”

• McDougall, Robert L.

  • 1985 — “Howard Fink, ed. Canadian National Theatre on the Air, 1925-1961: CBC-CRBC-CNR Radio Drama in English”

• McEwen, Barbara

  • 1987 — “Études littéraires”
  • 1986 — “Au-delà de l'exotisme: Le Théâtre Québécois Devant la Critique”
  • 1986 — “L'Annuaire théâtral 1985. Société d'histoire du Québec”
  • 1982 — “Chantal Hébert. Le Burlesque au Québec - Un divertissement populaire”
  • 1982 — “Laurent Mailhot and Doris-Michel Montpetit. Monologues québécois, 1890-1980”

• McGee, Timothy J.

  • 1984 — “The Musical Setting of La Conversion d'un Pêcheur de la Nouvelle-Écosse”

• McIvor, Charlotte

  • 2019 — “Ric Knowles “Performing the Intercultural City””

• Mckague, Cathleen

  • 2018 — ““Pedant Needs More Paunch”: Reviving Robertson Davies's Annotations from his Performance Copy of The Taming of the Shrew”

• McKinnie, Michael

  • 1994 — “King-Maker: Reading Theatrical Presentations of Canadian Political History”

• McKinnon, James

  • 2018 — “Master of All Domains? Constructively Aligning Theatre and Learning”
  • 2013 — “"Looka Me, I'm the Force o'Wisdom and Progress!"”

• McLauchlan, Debra

  • 2007 — “Transmitting Transactive Pedagogy:”

• Mcleod, Kimberley

  • 2018 — ““That Felt Real to Me”: When Reality Theatre and Reality Television Collide”
  • 2014 — “Finding the New Radical”

• Mealey, Scott

  • 2018 — Avec Gallagher, Kathleen et Jacobson, Kelsey, “Accuracy and Ethics, Feelings and Failures: Youth Experimenting with Documentary Practices of Performing Reality”

• Medina, Carmen

  • 2007 — Avec Belliveau, George et Weltsek, Gus, “Performing Academic Spaces:”

• Meerzon, Yana

  • 2020 — “Traversée: Crossing Borders in Search of the Emancipatory Theatre for Children”
  • 2015 — “Between Je and Moi”
  • 2015 — “Theatre and Immigration”
  • 2015 — “Théâtre et immigration ”
  • 2014 — “Michelle MacArthur, Lydia Wilkinson, and Keren Zaiontz, eds. Performing Adaptations: Essays & Conversations on the Theory and Practice of Adaptation.”
  • 2013 — “Staging Memory in Wajdi Mouawad's Incendies:”
  • 2009 — “The Exilic Teens:”

• Meiklejohn, J. M.C.

  • 1989 — “Theatre in Ottawa in the 1930s: A Memoir”

• Meiklejohn, J.M.C.

  • 1991 — “Theatre Education after World War II: A Memoir”

• Melançon, Johanne

  • 2007 — Avec Hotte, Lucie, “De French Town au Testament du couturier:”

• Mendes, Tanit

  • 2006 — Avec Tulloch, Janet, “Set Design as Cosmic Metaphor:”

• Merritt, Kathryn Chase

  • 1997 — “Theatre History and The Canadian Encyclopedia (1986-1996)”

• Meserve, Walter J.

  • 1984 — “Anton Wagner and Richard Plant, editors, "Canada's Lost Plays, Vol. 1: The Nineteenth Century"; Anton Wagner, editor, "Canada's Lost Plays, Vol. 2: Women Pioneers"; Anton Wagner, editor, "Canada's Lost Plays, Vol. 3: The Developing Mosaic: English-Canadian Drama to Mid-Century"; Anton Wagner, editor, "Canada's Lost Plays, Vol 4: Colonial Quebec: French-Canadian Drama, 1606 to 1966"”

• Miller, Mary Jane

  • 1989 — “Billy Bishop Goes to War and Maggie and Pierre: A Matched Set”
  • 1984 — “Canadian Television Drama 1952-1970 Canada's National Theatre”
  • 1981 — “James Reaney. Wacousta!”
  • 1980 — “Two Versions of Rick Salutin's Les Canadiens”

• Mock, Roberta

  • 2020 — “Book Reviews”

• Monks, Aoife

  • 2014 — “Marlis Schweitzer. When Broadway Was The Runway: Theater, Fashion, and American Culture. Philadelphia: University of Pennsylvania Press, 2009.”

• Moore, Mavor

  • 1993 — “Paul Litt. The Muses, the Masses, and the Massey Commission”

• Moriah, Kristin

  • 2020 — ““A Greater Compass of Voice”: Elizabeth Taylor Greenfield and Mary Ann Shadd Cary Navigate Black Performance”

• Moser, Marlene

  • 2008 — “From Performing Wholeness to Providing Choices:”
  • 2006 — “Identities of Ambivalence:”
  • 2002 — “Reconfiguring Home: Geopathology and Heterotopia in Margaret Hollingsworth's The House That Jack Built and It's Only Hot For Two Months In Kapuskasing”
  • 1997 — With Barton, Bruce, Graham, Catherine, Harvie, Jennifer, Huffman, Shawn, and Keshvani, Shemina, “Eugene Benson and L.W. Conolly, eds. The Oxford Companion to Canadian Theatre”

• Moss, Jane

  • 2001 — “The Drama of Survival: Staging Post-traumatic Memory in Plays by Lebanese-Québécois Dramatists”
  • 1999 — “Yvan Bienvenue and the Conte Urbain”

• Moy, James S.

  • 1984 — “Chad Evans. Frontier Theatre”
  • 1980 — “The First Circus in Eastern Canada”

• Mroz, Daniel

  • 2011 — “Bruce Barton, Natalie Corbett, Birgit Schreyer Duarte, and Keren Zaiontz, eds. New Canadian Drama: Volume 9: Canadian Devised Theatre: Reluctant Texts from Exuberant Performance.”
  • 2006 — “Speaking in a Visceral Language:”

• Mullaly, Edward

  • 1997 — “Two Modes Of Theatre Research: A Comparative Review of Paper and Electronic Publications”
  • 1992 — “W(h)ither the Performance?”
  • 1985 — “The Saint John Theatre Riot of 1845”

• Mullen, Melissa

  • 2005 — “Rough Waters”

• Munday, Jenny

  • 2005 — “Relatively Harmless”

• Mundel, Ingrid

  • 2003 — “Radical Stroytelling: Performing Process in Canadian Popular Theatre”