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Le Coat, Gérard. « Elizabeth Gilmore Holt, The Triumph of Art for the Public: The Emerging Role of Exhibitions and Critics. Garden City (ny), Anchor Press/Doubleday, 1979. 530 + xxviii p., 48 illus., 7.50 $ (broché) / Walter Cahn, Masterpieces: Chapter on the History of an Idea. Princeton, Princeton University Press (Princeton Essays on the Arts), 1979. 168 + xix p., 53 illus. » RACAR : Revue d'art canadienne / Canadian Art Review, volume 8, numéro 2, 1981, p. 174–177. https://doi.org/10.7202/1075013ar
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Le Coat, G. (1981). Compte rendu de [Elizabeth Gilmore Holt, The Triumph of Art for the Public: The Emerging Role of Exhibitions and Critics. Garden City (ny), Anchor Press/Doubleday, 1979. 530 + xxviii p., 48 illus., 7.50 $ (broché) / Walter Cahn, Masterpieces: Chapter on the History of an Idea. Princeton, Princeton University Press (Princeton Essays on the Arts), 1979. 168 + xix p., 53 illus.] RACAR : Revue d'art canadienne / Canadian Art Review, 8(2), 174–177. https://doi.org/10.7202/1075013ar
- Chicago
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Le Coat, Gérard « Elizabeth Gilmore Holt, The Triumph of Art for the Public: The Emerging Role of Exhibitions and Critics. Garden City (ny), Anchor Press/Doubleday, 1979. 530 + xxviii p., 48 illus., 7.50 $ (broché) / Walter Cahn, Masterpieces: Chapter on the History of an Idea. Princeton, Princeton University Press (Princeton Essays on the Arts), 1979. 168 + xix p., 53 illus. ». RACAR : Revue d'art canadienne / Canadian Art Review 8, no 2 (1981) : 174–177. https://doi.org/10.7202/1075013ar
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