Authors Beginning With the Letter H

• Hadar, David

  • 2017 — “Medium and Author”

• Hahn, James

  • 2022 — “Documentary Ethics, Para-Judicial Fantasies, and the Transgressive Desires of Lynn Crosbie’s Paul’s Case”

• Haladay, Jane

  • 2006 — “The Grandmother Language:”

• Halfe, alias Sky Dancer, Louise B.

  • 2021 — “Two Poems: Dancing with Creation & A Call for Love”

• Halford, Thomas

  • 2018 — “Principles to Sort By”

• Hambleton Sponer, Sidney

  • 2023 — “Eating Cake, Staying Quiet: The Rupture of Many Selves in Shyam Selvadurai’s The Hungry Ghosts”

• Hamelin, Christine

  • 1995 — “John Moss: Consciousness as Context”
  • 1994 — “Carole Corbeil: A Voice of Her Own”

• Hamilton, Sharon

  • 2005 — “The Jews on Mencken's Block and Guy Vanderhaeghe's The Englishman's Boy”

• Hammill, Faye

  • 2011 — “Ethel Wilson and Sophistication”
  • 2003 — “The Sensations of the 1920s:”

• Hancock, Brecken Rose

  • 2007 — “Taking a Walk with Judith Thompson:”

• Hancu, Laura

  • 1995 — “Escaping the Frame: Circumscribing the Narrative in The Whirlpool”

• Harding, R.F. Gillian

  • 1984 — “Iconic Mythopoeia in MacEwen's The T.E. Lawrence Poems”

• Hardwick, Jennifer

  • 2011 — “"We're writing our own stories":”

• Hardy, Stephan

  • 2002 — “La question du temps dans Cantique des plaines de Nancy Huston”

• Hargreaves, Allison

  • 2021 — Avec Coupal, Michelle et Seibel, Svetlana, “Literary Creative Practices as Sites of Redress”

• Harris, Jennifer

  • 2014 — ““The True History of My Brother Tom's Dog””

• Harrison, Keith

  • 1984 — “Allusions in Under the Volcano: Function and Pattern”
  • 1982 — “Malcolm Lowry's October Ferry to Gabriola: Balancing Time”
  • 1981 — “Malcolm Lowry's Hear Us O Lord: Visions and Revisions of the Past”

• Harry, Margaret

  • 1985 — “Literature in English by Native Canadians (Indians and Inuit)”

• Hart, Aoife Emily

  • 2013 — ““There's Minny a One in Ould Ireland””

• Hart, Ceilidh

  • 2022 — “The Work of Reading Sachiko Murakami’s Rebuild: Situating Community-Engaged Learning in the Classroom”
  • 2006 — “Exploring the Competing Narratives of Isabella Valancy Crawford's Malcolm's Katie”

• Härting, Heike

  • 2023 — “Speculative Health Futures: Contemporary Canadian Health Policies and the Planetary Health Commons in Larissa Lai’s The Tiger Flu”
  • 2007 — “The Poetics of Vulnerability:”
  • 2003 — “Diasporic Cross-Currents in Michael Ondaatje's Anil's Ghost and Anita Rau Badami's The Hero's Walk”

• Hartley, Michelle

  • 2007 — “Finding Narratives:”

• Haswell, Janis

  • 2004 — Avec Edwards, Elaine, “The English Patient and His Narrator:”

• Healy, J. J.

  • 1981 — “Grove and the Matter of Germany: The Warkentin Letters and the Art of Liminal Disengagement”

• Heaps, Denise Adele

  • 1994 — “The Inscription of "Feminine Jouissance" in Elizabeth Smart's By Grand Central Station I Sat Down and Wept”

• Hebouche, Nadra

  • 2014 — “Humain/animal : rupture, contiguïté et perméabilité dans Espèces de Ying Chen”

• Heighton, Steven

  • 1988 — “Approaching "That Perfect Edge": Kinetic Techniques in the Poetry and Fiction of Michael Ondaatje”

• Henderson, Deanna

  • 2021 — “Indigenous Refusal and Settler Complicity: Listening Positionality and Critical Reorientations in Helen Knott’s In My Own Moccasins: A Memoir of Resilience”

• Henderson, Jennifer

  • 1995 — “Femme(s) Focale(s): Gail Scott's Main Brides and the Post-Identity Narrative”

• Henzi, Sarah

  • 2021 — ““And Whom We Have Become”: Indigenous Women’s Narratives of Redress in Quebec”
  • 2010 — “Stratégies de réappropriation dans les littératures des Premières nations”

• Hétu, Dominique

  • 2019 — “Care and Wonder in Two Novels by Heather O’Neill”
  • 2019 — “Introduction”
  • 2019 — ““But the Good Feelings Were There Too””

• Hicks, Patrick

  • 1999 — “Waiting for Jeannot:”

• Hill, Colin

  • 2009 — “Generic Experiment and Confusion in Early Canadian Novels of the Great War”

• Hingston, Kylee-Anne

  • 2005 — “The Declension of a Story:”

• Hirabayashi, Mitoko

  • 1999 — Avec Curran, Beverley, “Conversations with Readers:”

• Hlibchuk, Geoffrey

  • 2011 — “Delirious Cities:”
  • 2006 — ““The Immense Odds Against the Fossil's Occurrence”:”

• Hlongwane, Gugu D.

  • 2008 — “Whips, Hammers, and Ropes:”

• Hobbs, Sandra

  • 2005 — “Entre deux mondes :”

• Hodd, Thomas

  • 2017 — “William Kirby's "Taint of Swedenborgianism"”
  • 2008 — “Shoring against Our Ruin:”

• Holmes, Nancy

  • 2005 — ““In Flanders Fields” — Canada's Official Poem:”

• Hopkins, Anthony

  • 1986 — “Thematic Structure and Vision in Waste Heritage”

• Horne, Dee

  • 1998 — “Listening to Silences in Ruby Slipperjack's Silent Words”
  • 1991 — “Elizabeth Smart's Novel-Journal”

• Howden, Sarah E.

  • 2020 — “Looking Away from the Material Self: Collective Ethics in Neoliberal Environments”

• Hoy, Helen

  • 1980 — “"Dull, Simple, Amazing and Unfathomable": Paradox and Double Vision In Alice Munro's Fiction”

• Huberman, Isabella

  • 2018 — “« Si ce n’est pas moi » : écrire à la jonction du soi et de la communauté chez An Antane Kapesh et Natasha Kanapé Fontaine”

• Huebener, Paul

  • 2009 — “Dark Stories:”

• Hulan, Shelley

  • 2017 — “Early Canadian Queer Literature, or In and Out of the Fur-Lined Closet”

• Hunter, Adrian

  • 2010 — “Taking Possession:”

• Hurley, Michael

  • 1995 — “John Richardson's Byronic Hero in the Land of Cain”

• Hutcheon, Linda

  • 1978 — “Atwood and Laurence: Poet and Novelist”

• Hutchison, Jesse

  • 2016 — ““She Is Already Telling Me a Story””

• Hutchison, Lorna

  • 2008 — “Uncovering the Grotesque in Fiction by Alice Munro and Gabrielle Roy”

• Hyman, Roger

  • 2018 — “The Rewriting of a Masterpiece: Hetty Dorval and the Silencing of Good Reading”