Authors Beginning With the Letter B

• Baetz, Joel

  • 2004 — “Tales from the Canadian Crypt:”

• Bailey, Nancy

  • 1977 — “Margaret Laurence, Carl Jung and the Manawaka Women”

• Bajwa, Poonam

  • 2010 — “Margaret Atwood's The Edible Woman and the Commercialization of Literary Scholarship”

• Baker, Marie Annharte

  • 2006 — Avec Grauer, Lally, ““A Weasel Pops In and Out of Old Tunes”:”

• Ball, John Clement

  • 2023 — “Gun Island and Blaze Island: Improbability, Risk, and Eco-Cosmopolitanism in Two Recent Climate-Change Novels”
  • 2023 — Avec Sayed, Asma, “Past, Present, and Future Ruptures to the Commons”
  • 2016 — “Up the Hill”
  • 2013 — “Farewell Editorial”
  • 2011 — With Snell, Heather, Butler, Heidi, and Andrews, Jennifer, “Introduction:”
  • 2006 — Avec Andrews, Jennifer, “A Note from the Editors”
  • 2005 — With Leckie, Ross, Carrière, Marie, and Andrews, Jennifer, “Introduction -”
  • 2000 — “Editor's Note”
  • 2000 — “From the Farmstead to the Condo:”
  • 2000 — Avec Andrews, Jennifer, “Introduction:”
  • 1998 — Avec Warley, Lidna et Viau, Robert, “Introduction: Mapping the Ground”

• Ballantyne, Emily

  • 2015 — “Exile beyond Return”

• Ballstadt, Carl

  • 1976 — “Thomas D'Arcy McGee as a Father of Canadian Literature”

• Bamford, Karen

  • 2004 — Avec Schwerdtner, Karin, “Introduction:”

• Banting, Pamela

  • 2022 — “Becoming Fish: Settler Deeds, Salmon Resistance, and Multi-Species Accords in Gail Anderson-Dargatz’s The Spawning Grounds”
  • 2020 — “H₂Ocean: The Wet Ontology and Blue Ethics of Sue Goyette’s Ocean”
  • 2014 — “Colony Collapse Disorder: Settler Dreams, the Climate Crisis, and Canadian Literary Ecologies”

• Banwait, Ranbir K.

  • 2014 — “Ethics, Intention, and Affect”

• Barbour, Douglas

  • 1977 — “The Critic Criticized: A Reply to Bruce MacDonald”
  • 1976 — “David Canaan: The Failing Heart”

• Baron, Kelly

  • 2022 — ““But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach”

• Barrett, Paul

  • 2013 — “For Play and Gaming”

• Bartlett, Brian

  • 1995 — “The Grass is Epic: Tim Lilburn's Moosewood Sandhills”
  • 1987 — “"Les nouvelles de Cousin Emmanuel": Varieties of Salvation and Imagination in Ferron's Cotnoir”

• Beardsworth, Adam

  • 2014 — ““This page faintly stained with / green”: Compost Aesthetics in John Steffler’s That Night We Were Ravenous”
  • 2005 — “Romancing the “Mysterious Bonds of Syntax”:”

• Beauclair, Nicolas

  • 2018 — “Littérature amérindienne, éthique et politique : la poétique décoloniale de Joséphine Bacon”

• Beauregard, Guy

  • 2014 — “Interwoven Temporalities”
  • 2001 — “After Obasan:”

• Beckman-Long, Brenda

  • 2010 — “The Stone Diaries as an “Apocryphal Journal””
  • 1999 — “Authorizing her Text:”

• Beecroft, Alexander

  • 2013 — “The Bird of Passage and the Petit Panthéon”

• Beeler, Karin

  • 1996 — “Image, Music, Text: An Interview with Jeannette Armstrong”

• Bélanger, Louis

  • 1992 — “Présence du théâtre amateur dans la dramaturgie québécoise”

• Bell, Katherine

  • 2023 — “Anticipating “What the World Is Waiting For”: Interrogating the Entrepreneurial Spirit in Lisa Moore’s Flannery”

• Bell, Kirsty

  • 2019 — With Verduyn, Christl, Cabajsky, Andrea, and Beverley, Andrea, “Écrivaines canadiennes des années 1970”
  • 2011 — “Ateliers d'artiste et expositions d'art dans la trilogie Archives de Louise Warren”

• Benalil, Mounia

  • 2007 — “La fictionnalisation de la négritude dans Comment faire l'amour avec un Nègre sans se fatiguer de Dany Laferrière: ses au-delàs et ses limites”

• Beneventi, Domenico A.

  • 2021 — Avec Calderón, Jorge, “Corps Queers”

• Bennett, Susan

  • 1995 — “New Stages: Questions for Canadian Dramatic Criticism”

• Benson, Marc

  • 1997 — “La Fonction du narrateur dans le conte fantastique québécois du XIXe siècle”

• Bentley, D.M.R.

  • 2017 — “Simile, Metaphor, and the Making and Perception of Canada”
  • 1998 — “Literary Sites and Cultural Properties in Canadian Poetry”
  • 1996 — “Duncan Campbell Scott and Maurice Maeterlinck”
  • 1990 — “Oliver Goldsmith and The Rising Village”
  • 1989 — “Sizing up the Women in Malcom's Katie and The Story of an Affinity”
  • 1988 — “Charles J. Cameron's Emendations and Annotations to Lyrics on Freedom, Love and Death by George Frederick Cameron”
  • 1985 — “Alchemical Transmutation in Duncan Campbell Scott's "At Gull Lake: August, 1810," and Some Contingent Speculations”
  • 1983 — “The Mower and the Boneless Acrobat: Notes on the Stances of Baseland and Hinterland in Canadian Poetry”
  • 1982 — “Watchful Dream and Sweet Unrest: An Essay On the Vision of Archibald Lampman”
  • 1981 — “Watchful Dreams and Sweet Unrest: An Essay on the Vision of Archibald Lampman”
  • 1980 — “Roberts' "Tantramar Revisited" and Lanier's "The Marshes of Glynn"”

• Beran, Carol L.

  • 1993 — “Ex-Centricity: Michael Ondaatje's In the Skin of a Lion and Hugh MacLennan's Barometer Rising”
  • 1990 — “Images of Women's Power in Contemporary Canadian Fiction by Women”

• Berces, Francis

  • 1991 — “Existential Maritimer: Alistair Macleod's The Lost Salt Gift of Blood”

• Bergeron, Étienne

  • 2021 — “En attente d’identification : applications de rencontre, identité-écran et hétérosomie queer”

• Bethell, Kathleen I.

  • 2003 — “Reading Billy:”

• Betts, Gregory

  • 2022 — Avec Morra, Linda M., “The Sound of a Silenced Letter: Souvankham Thammavongsa and the Kinetic Archive”
  • 2005 — “A Philosophy of the Verb:”

• Beverley, Andrea

  • 2019 — “Feminist Anthologizing”
  • 2019 — With Verduyn, Christl, Cabajsky, Andrea, and Bell, Kirsty, “Écrivaines canadiennes des années 1970”
  • 2018 — Avec Authers, Benjamin, “Slippery and Plural: Collaborative Writing in Daphne Marlatt and Betsy Warland’s “Subject to Change” and “Reading and Writing Between the Lines””

• Bhatia, Nandi

  • 2015 — “Revisiting the Theatre of the Komagata Maru Incident”

• Bhojwani, Maia

  • 2001 — “The Double Ending of The Mountain and the Valley:”

• Blair, Jennifer

  • 2021 — “Understanding David Eastham’s Neuroqueerness”
  • 2012 — “The Queer Racing of Children in Dionne Brand's What We All Long For”

• Bloom, Myra

  • 2014 — ““The Suitable Language of Love””

• Blott, Anne

  • 1977 — “"Stories to Finish": The Collected Works of Billy the Kid”

• Boeckner, McKenna James

  • 2022 — “Trinidadian/Canadian Food and the Fiction of Belonging in David Chariandy’s Brother”

• Bogaards, Winnifred M.

  • 1980 — “Edward McCourt: A Reassessment”

• Bogdan, Deanne

  • 1986 — “Moncton, Mentors, and Memories: An Interview with Northrop Frye”

• Bogle, Cornel

  • 2023 — ““A book doesn’t need to stand up like a body does”: A Conversation with D.M. Bradford”
  • 2018 — “The Spatial Politics of Homosociality in Austin Clarke’s In This City”

• Bök, Christian

  • 1993 — “The Word Entrances: Virtual Realities in Dewdney's Log Entries”
  • 1991 — “i, a mother / i am other: L'Amér and the Matter of Mater”

• Bolay, Jordan

  • 2017 — “From Hay Fever to Archive Fever”

• Bolduc, Yves

  • 1992 — “Le sens de "la plongée dans la mer" dans la poésie d'Alain Grandbois”

• Bolland, John

  • 2004 — “Michael Ondaatje's Anil's Ghost:”

• Bond, David J.

  • 2001 — “Nancy Huston :”

• Bondar, Alanna F.

  • 1994 — “"that every feather is a pen, but living, / / flying" Desire: The Metapoetics of Don McKay's BIRDING, or desire”

• Bonenfant, Luc

  • 2005 — “Le poème en prose canadien-français au XIXe siècle :”
  • 2002 — “Robert de Roquebrune :”
  • 1998 — “L'invention romanesque de noms réels : Kamouraska et la métaphore toponymique”

• Boone, Laurel

  • 1988 — “Confessions of an Unrepentant Generalist: An Interview With Douglas Lochhead”
  • 1983 — “Evolution and Idealism: Wilfred Campbell's "The Tragedy of Man" and Its Place in Canadian Intellectual History”
  • 1978 — “Rachel's Benign Growth”

• Boucher, Jean-Pierre

  • 1988 — “Les Roses sauvages: recueil et intertexte”

• Boudreau, Anne-Sophie

  • 2014 — “Résonances et dissonances dans Vasavoir et Gros mots de Réjean Ducharme”

• Boudreau, Raoul

  • 2005 — “Les Poètes Acadiens de la relève”

• Bowen, Deborah

  • 1991 — “Borderline Magic: Janette Turner Hospital and Transfiguration by Photography”
  • 1988 — “In Camera: The Developed Photographs of Margaret Laurence and Alice Munro”

• Bowering, George

  • 1981 — “Margaret Atwood's Hands”

• Boyd, Julia A.

  • 2015 — ““Fugitive Visions”:”

• Boyd, Shelley

  • 2017 — “Seeding Consumer Fears in Saskatchewan Dramas”

• Boynton, Victoria

  • 2002 — “The Sex-cited Body in Margaret Atwood”

• Bradette, Marie-Ève

  • 2023 — “Le conflit des souverainetés linguistiques au Québec”
  • 2022 — “Penser les relations éthiques dans et avec la littérature des pensionnats : réflexions autour du roman Le vent en parle encore de Michel Jean”

• Bradley, Nicholas

  • 2022 — “Ice Cod Bell or Stone: Poetry, Canon, Memory”

• Braith, Melanie

  • 2023 — ““Just Shut Up, You; and Listen”: Cherie Dimaline’s Empire of Wild and the Echoes of Oral Storytelling in Indigenous Audiobooks”

• Braune, Sean

  • 2009 — “The Meaning Revealed at the Nth Degree in Christian Bök's Eunoia”

• Braz, Albert

  • 2001 — “The Omnipresent Voice:”

• Brazier-Tompkins, K.S.A.

  • 2016 — “Subject: Animal”

• Brenner, Rachel Feldhay

  • 1990 — “A.M. Klein's The Rocking Chair: Toward the Redefinition of the Poet's Function”

• Bright, Amy

  • 2011 — Avec Wills, Deborah, “"On the Cusp":”

• Brodie, Alexander H.

  • 1977 — “Subscription Publishing and the Booktrade in the Eighties: The Invasion of Ontario”

• Brown, Anne

  • 2003 — Avec Leblanc, Doris, “France Daigle :”
  • 2003 — “Le parcours identitaire de Dany Laferrière ou «Mon cœur est à Port-au-Prince, mon esprit à Montréal et mon corps à Miami»”
  • 1992 — “La réflexion féministe dans quelques romans féministes à l'heure de la révolution tranquille”
  • 1990 — “Laurier Melanson: La liberté offerte par le rire”
  • 1989 — “La Haine de soi: le cas du roman québécois”

• Brown, Susan

  • 2017 — Avec Devereux, Cecily, “Introduction”
  • 2017 — “Survival”

• Brubacher, William

  • 2023 — “Doubling Back on the Spectre: The Textual Ruptures and Deconstructive Trajectories of Earle Birney’s Revisions to “Can.Lit.””

• Brydon, Diana

  • 2007 — With Jones, Manina, Schagerl, Jessica, and Warder, Kristen, “Introduction Surviving the Paraphrase:”

• Buffoli, Carolina

  • 2023 — “The Gothic Genre and Indigenous Fiction: A Reading of Eden Robinson’s Monkey Beach and Patricia Grace’s Baby No-Eyes”

• Buma, Michael

  • 2011 — “John Richardson's Unlikely Narrative of Nationhood:”

• Burns, Robert Alan

  • 1989 — “The Poet in Her Time: Isabella Valancy Crawford's Social, Economic, and Political Views”
  • 1985 — “Isabella Valancy Crawford's Poetic Technique”
  • 1979 — “Crawford and the Indians: Allegory in The Helot”

• Bushell, Kevin

  • 1996 — “Don McKay and Metaphor: Stretching Language Toward Wilderness”

• Buss, Helen M.

  • 1989 — “"The Dear Domestic Circle": Frameworks for the Literary Study of Women's Personal Narratives in Archival Collections”

• Busse, Cassel

  • 2012 — “Who is a Victim?”

• Butler, Heidi

  • 2011 — With Snell, Heather, Ball, John Clement, and Andrews, Jennifer, “Introduction:”

• Byrne, George

  • 1982 — “The Blood Hardened and the Blood Running: The Character of Orville in Blood Ties”

• Byrne, Paul Johnson

  • 2011 — “A Man for All Seasons:”