Authors Beginning With the Letter W

• W. Liscombe, R.

  • 1980 — “John Unrau, Looking at Architecture with Ruskin. Toronto, University of Toronto Press, 1978. 180 pp., illus., $15.00”
  • 1979 — Avec Barrett, A., “Two Recently Discovered Drawings by F.M. Rattenbury”

• Walker, Doreen E.

  • 1979 — “Livres”

• Walker, Ellyn

  • 2017 — “The Fifth World, Mendel Art Gallery, April 3–June 7, 2015, Kitchener-Waterloo Art Gallery, January 22–March 20, 2016, Curator: Wanda Nanibush”

• Wallace, Amy C.

  • 2013 — Avec Zemans, Joyce, “Where Are the Women? Updating the Account!”

• Walton, Paul H.

  • 1990 — “The Group of Seven and Northern Development”

• Wander, Steven H.

  • 1977 — “The Restorations of the Westminster Abbey Chapter House”

• Wark, Jayne

  • 2018 — Avec Terry, Andrea, ““Make Some Noise”: Precarity, Dialogue, and Professional Development”
  • 1997 — “Amelia Jones, Body Art: Performing the Subject. Minneapolis, University of Minnesota Press, 1998, 329 pp., 63 black-and-white illus.”

• Watson, Jennifer C.

  • 1987 — “Homer Watson in the Kitchener-Waterloo Art Gallery”
  • 1985 — “Livres”
  • 1983 — “Livres”
  • 1980 — “Jock Macdonald: Letters from Europe, 1954-55”

• Weber, Stephanie

  • 2019 — “Balenciaga: Master of Couture, McCord Museum, Montréal, June 15 to October 14, 2018, Organized by the Victoria & Albert Museum (V&A) of London. Curator: Cynthia Cooper, Head, Collections and Research, and Curator, Dress, Fashion and Textiles, McCord Museum”

• Webster, Erin L.

  • 2019 — “Reviews”

• Welch, Anthony

  • 2009 — Avec Segger, Martin et DeCaro, Nicholas, “Building for the Raj: Richard Roskell Bayne”

• Welsh, Robert

  • 1978 — “Molinari and the Science of Colour and Line”

• White, Anthony

  • 2018 — “Serge Guilbaut and John O'Brian, eds., Breathless Days: 1959–1960, Durham and London : Duke University Press, 2017, 333 pp 67 b/w illus.  $ 104.95 (cloth) ISBN 978-0-8223-6023-0$ 27.95 (paper) ISBN 978-0-8223-6041-4”

• White, R. Kerry

  • 1978 — “Parallels, Contrasts, and Interrelationships of Arts and Institutions, Thoughts and Artifacts in the Seventeenth Century AD”

• Whitelaw, Anne

  • 2018 — “Letter on Behalf of the Universities Art Association of Canada”
  • 2004 — “Kathy E. Zimon, Alberta Society of Artists, the First Seventy Years. Calgary, University of Calgary Press, 2000, 203 pp., 72 colour plates, $49.95 Cdn”
  • 1995 — “Reesa Greenberg, Bruce W. Ferguson, Sandy Nairne, eds, Thinking About Exhibitions. London and New York, Routledge, 1996, 507 pp., 83 illus.”

• Whiting, Cécile

  • 1991 — “Figuring Marisol's Femininities”

• Whyte, Ryan

  • 2011 — “Repeat Performance: Chardin's Aesthetics of Repetition in the Paris Salons”

• Wicky, Érika

  • 2017 — “Elitza Dulguerova, Usages et utopies : L'exposition dans l'avant-garde russe prérévolutionnaire (1900–1916), Paris : Les presses du réel, coll. « Oeuvres en société », 2015, 584 pp. 63 ill. n&b. € 28.00 broché isbn 9782840666875”
  • 2015 — “L'imaginaire pictural de la matière photographique (1850–1860) : la cuisine de l'art, du peintre au photographe”
  • 2014 — “Ada Ackerman, Eisenstein et Daumier : des affinités électives, Paris, Armand Colin, 2013, 288 p., 47,95 $, ISBN : 978-2200277147”
  • 2014 — “La peinture à vue de nez ou la juste distance du critique d'art, de Diderot à Zola”

• Wien, Iris

  • 2016 — “The Opaque Nature of John Constable's Naturalism”

• Wihl, Gary

  • 1988 — “Tim Hilton, John Ruskin: The Early Years. New Haven, Yale University Press, 1985, 301 + xvi pp., 23 illus., $22.50 (cloth)”

• Williams, Dominic

  • 2017 — “Punch and the Pogroms: Eastern Atrocities in John Tenniel's Political Cartoons, 1876–1896”

• Williams, Glenn

  • 2000 — “Translating Music into Visual Form: The Influence of Music in the Work of Bertram Brooker”

• Williams, Wayne A.

  • 2015 — Avec Rieger, Janice, “A Design History of Design: Complexity, Criticality, and Cultural Competence”

• Williamson, Christina

  • 2017 — “Inuit Art in Canadian and Indigenous Art: From Time Immemorial to 1967, National Gallery of Canada, Permanent exhibition, Ottawa”

• Wilson, Raymond L.

  • 1982 — “Livres”
  • 1981 — “Livres”
  • 1981 — “Livres”

• Windover, Michael

  • 2019 — “John Leroux and Thaddeus Holownia, A Vision in Wood & Stone: The Architecture of Mount Allison University, Kentville, NS: Gaspereau Press Ltd, 2016, 234 pp. $ 65.95 (hardcover) ISBN 9781554471409”
  • 2015 — “Designing Public Radio in Canada”

• Windsor Liscombe, Rhodri

  • 2006 — “Modernist Ultimate Thule”
  • 1986 — “Anthony D. King (ed.), Buildings and Society: Essays on the social development of the built environment. London, Routledge and Kegan Paul (1980), 1984. x + 318 pp., illus., $98.00 (cloth). $28.00 (paper)”
  • 1981 — “William Vaughan, German Romanticism and English Art. New Haven and London, Yale University Press (for the Paul Mellon Centre for Studies in British Art), 1979. 308 + xii pp., 173 illus., $45.00”

• Wistow, David

  • 1980 — “J. Russell Harper, Krieghoff. Toronto, Buffalo, and London, University of Toronto Press, 1979. 204 pp., 166 illus., $29.95”

• Wohl, Hellmut

  • 1985 — “Le surréalisme portugais”

• Wood, Lisa

  • 2020 — Avec Holmes, Kristy A. et Terry, Andrea, “« L'inertie bienveillante » : la radicalisation de l'académie paresseuse”
  • 2020 — Avec Holmes, Kristy A. et Terry, Andrea, ““Good Willed Inertia”: Radicalizing the Lazy Academy”

• Wood, William

  • 1991 — “Boudoir Scissorhands: Matisse, the Cut-outs and the Canon”

• Wright, Astri

  • 1995 — “Annabel Teh Gallop, Early Views of Indonesia: Drawings from the British Library. Pemandangan Indonesia di Masa Lampau: Seni Gambar dari British Library. Honolulu, University of Hawai'i Press, 1995, 128 pp., $34.00 (U.S.) paper”

• Wunker, Erin

  • 2018 — “Practical Strategies for Supporting Contract Workers”

• Wyman, Jessica

  • 2005 — “Tanya Mars and Johanna Householder, eds, Caught in the Act: an anthology of performance art by Canadian women. Toronto, YYZ Books, 2004, 444 pp., 19 colour and 219 black-and-white illus., $39.95 Cdn.”