Authors Beginning With the Letter S
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Sabourin, Carmen
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Saffle, Michael
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Sallis, Friedemann
- 2003 — “Apropos Aesthetic Autonomy”
- 2003 — “Deconstructing the Local: The Aesthetic Space and Geographic Place of Oskar Morawetz's String Quartet no. 5 "A Tribute to Wolfgang Amadeus Mozart" (1991)”
- 1996 — “Observations sur le développement technique et stylistique de György Ligeti au début des années 1950”
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Satory, Stephen
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Sauvé, Martial
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Scales, Christopher
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Schafer, R. Murray
- 1986 — With Charpentier, Gabriel, Prévost, André, Mather, Bruce, Beecroft, Norma, Aitken, Robert, Rea, John, Papineau-Couture, Jean, Evangelista, José, Lauber, Anne, Morel, François, Tremblay, Gilles, and Boulez, Pierre, “In Memoriam Serge Garant”
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Schroeder, David P.
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Schwandt, Erich
- 1998 — “A New Gloria for Satie's Messe des pauvres”
- 1998 — “Curtis Price, ed. Purcell Studies. Cambridge: Cambridge University Press, 1995. xii, 305 pp. ISBN 0521-44174-9 (hardcover)”
- 1998 — “Introduction to the Art of Singing by Johann Friedrich Agricola. Edited and translated by Julianne C. Baird. Cambridge Musical Texts and Monographs. Cambridge: Cambridge University Press, 1995. x, 298 pp. ISBN 0-521-45428-X (hardcover)”
- 1996 — “Daniel Melamed. J.S. Bach and the German Motet Cambridge University Press, 1995. xvi, 229 pp. ISBN 0-521-41864-X (hardcover) Russell Stinson, ed. Bach Perspectives I Lincoln: University of Nebraska Press, 1995. xii, 226 pp. ISBN 0-8032-1042-6 (hardcover)”
- 1996 — “Some Motets in Honour of St Joseph in the Archives of the Ursulines of Québec”
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Scott, Andrew
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Searle, Campbell L.
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Séguin, Maryse
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Semmens, Richard
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Shepherd, John
- 2000 — “Music Studies in the New Millennium: Perspectives from Canada”
- 1998 — Avec Diamond, Beverley, “Theory and Fieldwork”
- 1990 — “Introduction”
- 1990 — “Vers une critique musicale socialement fondée”
- 1984 — “Introduction to the Occasional Conference, "The Sociology of Music: An Exploration of Issues," Held at Peter Robinson College, Trent University, Peterborough, Ontario, August 4-6, 1983”
- 1982 — “Charles M. Keil. Tiv Song. Chicago: University of Chicago Press, 1979, xiii, 301 pp.”
- 1981 — “Toward a Sociology of Musical Styles”
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Slawson, A. Wayne
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Smith, Gordon E.
- 1999 — “The Cult of the Folk: Ideas and Strategies after Ernest Gagnon”
- 1998 — “Book Reviews”
- 1995 — “Reviews”
- 1993 — “Reviews”
- 1991 — “Reviews”
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Smoje, Dujka
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Smyth, Lynda
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Snook, Paul
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Spencer, Reid
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Spier, Susan
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Spring, Howard
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Stark, James A.
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Steblin, Rita
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Stefani, Gino
- 1986 — “Théorie des intervalles”
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Stephen, J. Drew
- 2003 — “Book Reviews”
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Stockhausen, Karlheinz
- 1983 — “Le chant de Kathinka”
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Stonehouse, Alison
- 1999 — “Paul Robinson. Ludwig van Beethoven: Fidelio. Cambridge Opera Handbooks. Cambridge: Cambridge University Press, 1996. xi, 191 pp. ISBN 0-521-45852-8 (hardcover)”
- 1998 — “Jean Mongrédien. French Music from the Enlightenment to Romanticism, 1789–1830. Translated by Sylvain Frémaux. General Editor, Reinhard G. Pauly. Portland, Oreg.: Amadeus Press, 1996. 394 pp. ISBN 1-57467-011-5 (hardcover)”
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Straw, Will
- 1990 — “Simon Frith. Music for Pleasure: Essays in the Sociology of Pop. New York: Routledge, 1988. Simon Frith (ed.) Facing the Music. New York: Pantheon Books, 1988. Simon Frith and Andrew Goodwin, (eds.) On Record: Rock, Pop and The Written Word. New York: Pantheon Books, 1990. Peter Wicke. Rock Music: Culture, Aesthetics and Sociology (trans. Rachel Fogg). Cambridge: Cambridge University Press, 1990. [Originally published in German as Rockmusik: Zur Ästhetik und Soziologie eines Massenmediums. Leipzig: Reclam, 1987]”
- 1984 — “Characterizing Rock Music Cultures: The Case of Heavy Metal”
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Strickland, Edward
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Szeker-Madden, Lisa