Authors Beginning With the Letter K

• Kallmann, Helmut

  • 1981 — “Communications”

• Katz, Bernard

  • 1994 — “Valerie Rumbold and Iain Fenlon, eds. A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge. Cambridge: Cambridge University Press, 1992. xii, 168 pp. ISBN 0-521-41535-7”

• Keane, David

  • 1991 — “Gayle Young. The Sackbut Blues: Hugh Le Caine, Pioneer in Electronic Music. Ottawa: National Museum of Science and Technology, 1989. xiv, 274 pp. ISBN 0-660- 12006-2”
  • 1982 — Avec Zuk, Ireneus et Cuddy, Lola, “Factors of Musical Perception: Three Points of View”

• Keane, David R.

  • 1982 — Avec Cuddy, Lola L., “Introduction to the Queen's Symposium on Musical Perception Held at Queen's University, Kingston, Ontario, July 14-16, 1981”

• Keillor, Elaine

  • 2000 — With Deaville, James, Kenneson, Claude, Bruneau, William, Munn, Alexandra, Hughes, Neil R., Colton, Glenn, and Beckwith, John, “Violet Archer, Jean Coulthard, and Barbara Pentland Remembered”
  • 1982 — “Clifford Ford. Canada's Music: An Historical Survey. Agincourt, Ontario: GLC Publishers Limited, 1982, viii, 278 pp. Ian L. Bradley. Twentieth Century Canadian Composers, Vol. II. Agincourt, Ontario: GLC Publishers Limited, 1982, xii, 281 pp.”

• Kenneson, Claude

  • 2000 — With Deaville, James, Bruneau, William, Keillor, Elaine, Munn, Alexandra, Hughes, Neil R., Colton, Glenn, and Beckwith, John, “Violet Archer, Jean Coulthard, and Barbara Pentland Remembered”

• Klump, Brad

  • 1999 — “Origins and Distinctions of the "World Music" and "World Beat" Designations”

• Knox, Roger

  • 1998 — “Joan Retallack, ed. Musicage: Cage Muses on Words, Art and Music. Hanover, N.H.: Wesleyan University Press, 1996. xlvii, 360 pp. ISBN 0-8195-5285-2 (hardcover) Kyle Gann. The Music of Conlon Nancarrow. Music in the Twentieth Century Series, ed. Arnold Whittall. Cambridge: Cambridge University Press, 1995. xii, 303 pp. ISBN 0-521-46534-6 (hardcover)”

• Koskoff, Ellen

  • 1995 — “When Women Play: The Relationship between Musical Instruments and Gender Style”

• Kovarik, Edward

  • 1995 — “Two Instrumental Arrangements from Early Sixteenth-Century Bohemia”
  • 1995 — “With a Song in Her Heart: A Celebration of Canadian Women Composers Through Performance and Discussion: University of Windsor, Ontario, 11-12 March 1994”

• Kramer, Jonathan D.

  • 1982 — “Beginnings and Endings in Western Art Music”

• Krebs, Harald

  • 2002 — “Response to Lynn Cavanagh”
  • 1990 — “Techniques of Unification in Tonally Deviating Works”

• Krims, Adam

  • 2000 — “Music Theory as Productivity”
  • 2000 — “Tracing the Chiasmus: A Response to William Renwick”