Veuillez télécharger l’article en PDF pour le lire.
Télécharger
Parties annexes
Biographical notes
Eva Ivanilova is a PhD candidate in the interdisciplinary Film & Media Studies and Slavic Languages and Literatures Program at the University of Pittsburgh. She is working at the intersections of Russian intellectual history, film theory, and political economy. Primarily, her research is focused on regional film practices in modern Russia that are included in a broader framework of geopolitical and geoeconomic demarcations. Her publications have appeared in KinoKultura, Iskusstvo kino, Tolstoy Studies Journal, several anthologies, and popular websites.
Neepa Majumdar is Associate Professor of English and Film and Media Studies at the University of Pittsburgh. Her research interests include star studies, film sound, South Asian early cinema, documentary film, and questions of film history and historiography. Her book Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s to 1950s (University of Illinois Press, 2009) won an Honorable Mention in the 2010 Best First Book Award of the Society for Cinema and Media Studies. Her essays have appeared in The Canadian Journal of Film Studies, South Asian Popular Culture, and Post Script, as well as collections such as The Continuum Companion to Sound in Film and Visual Media (ed. Graeme Harper, 2009), Film Analysis: A Norton Reader (ed. R. L. Rutsky and Jeffrey Gieger, 2005), and Soundtrack Available: Essays on Film and Popular Music, (ed. Arthur Knight and Pamela Wojcik, 2001).
Bibliography
- Argounova-Low, Tatiana. 2012. The politics of Nationalism in the Republic of Sakha (Northeastern Siberia), 1900-2000: Ethnic Conflicts Under the Soviet Regime. Lewiston, NY: The Edwin Mellen Press.
- Bey-Rozet, Maxime. 2021. “Ich-Chi.” Russian Film Symposium. https://neweastcinema.pitt.edu/ich-chi/.
- Blas, Zach. 2016. “Introduction” to Special Issue on Opacities. Camera Obscura 92 (31), no. 2 (September 1): 149-153. DOI: https://doi.org/10.1215/02705346-3592499.
- Glissant, Èdouard. 1997. Poetics of Relation, translated byBetsy Wing. Ann Arbor: University of Michigan Press.
- hooks, bell. 2007. “The Oppositional Gaze: Black Female Spectators.” In Film and Theory: An Anthology, edited by Robert Stam and Toby Miller. Hoboken, NJ: Blackwell Publishing. 510-23.
- Danilova, Albina. 2021. “Ich-chi, an excellent product of extraversion in cinema.” SakhaLife. (June 7). https://sakhalife.ru/ichchi-kachestvennyj-produkt-ekstraversii-v-kino/.
- Damiens, Caroline and Csaba Mészáros. 2022. “The Cinema of the Sakha Republic.” KinoKultura. Special Issue 19: The Cinema of Sakha (August). http://www.kinokultura.com/specials/19/introduction.shtml.
- Damiens, Caroline. 2014. “A Cinema of One’s Own Building / Reconstructing Siberian Indigenous Peoples’ Identity in Recent Cinema: Examples from Sakha (Yakutia) Republic and the Republic of Khakassia.” InterDisciplines 5, no. 1: 161–187. DOI: https://doi.org/10.4119/indi-1065.
- Dolin, Anton. 2021. “Ich-chi—Horror Film about the Spirits of the North.” Meduza. (26 March). https://meduza.io/feature/2021/05/26/ichchi-horror-o-duhah-severa.
- Fanon, Frantz. 2008 (1952). Black Skin, White Masks, translated by Richard Philcox. New York: Grove Press.
- Ferguson, Jenanne. 2016. “Language Has a Spirit: Sakha (Yakut) Language Ideologies and Aesthetics of Sustenance.” Arctic Anthropology 53, no. 1: 95-111.
- Hirsh, Francine. 2014. Empire of Nations. Ethnographic Knowledge and the Making of the Soviet Union. Ithaca, NY: Cornell University Press.
- Isaacs, Rico. 2016. “Cinema and Nation-Building in Kazakhstan.” In Nation Building and Identity in the Post-Soviet Space: New Tools and Approaches, edited by Rico Isaacs and Abel Polese, 138-58. London: Routledge.
- Ivanilova, Eva. 2019. “Uzhas belogo lista: Istoriia Yakutskogo horrora.” Iskusstvo Kino. (27 December). https://kinoart.ru/texts/uzhas-belogo-lista-istoriya-yakutskogo-horrora.
- Levochkin, Vladislav V. 2016. “National film industry of the Sakha Republic (Yakutia): The dynamics and main priorities of the region’s cultural policy.” Observatory of Culture, 1. 146–152.
- Marsaan, Kostas. 2019. Interview by Evgeniia Ivanilova. RussoRosso. (September 9). https://russorosso.ru/features/interviews/kostas-marsaan-o-yakutskix-xorrorax/.
- Marsaan, Kostas. 2021. Interview by Sergei Korneev. HorrorZone. 19 March. https://horrorzone.ru/page/kostas-marsaan-mir-v-haose-bez-filmov-uzhasov-my-sojdjom-s-uma-intervju.
- McGinity-Peebles, Adelaide. 2022. “Cinema, Ethnicity, and Nation-Building in the Sakha Republic (Russia) and Kazakhstan.” Oxford Research Encyclopedias, Communication. DOI: https://doi.org/10.1093/acrefore/9780190228613.013.1326.
- Mészáros, Csaba. 2022. Review of Ellei Ivanov’s Cursed Land (Setteekh sir, 1996). KinoKultura. Special Issue 19: The Cinema of Sakha (August). http://www.kinokultura.com/specials/19/R_cursed-land.shtml.
- Nikolaev, Mikhail. 1992. “Decree by the President of the Republic of Sakha (Yakutia), Mikhail Nikolaev, Establishing the Sakhafilm State National Film Company. (23 June).
- Romanov, Aleksei. 2022. Interview by Caroline Damiens and Csaba Mészáros. KinoKultura. Special Issue 19: The Cinema of Sakha (August). http://www.kinokultura.com/specials/19/interview_romanov.shtml.
- Ruiz, Diana Flores. 2022. “Desire Lines: Sky Hopinka’s Undisciplining of Vision.” Film Quarterly 75, no. 3 (February 28): 12–25.
- Simpson, Audra. 2014. Mohawk Interruptus: Political Life Across the Borders of Settler States. Raleigh, NC: Duke University Press.
- Shohat, Ella, and Robert Stam. 2014. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge.
- Strukov, Vlad. 2018. “Theorizing the Hyperlocal: The Cinema of Sakha (Yakutia) and Global Contexts.” In Russian Culture in the Age of Globalization, edited by Vlad Strukov and Sarah Hudspith, 217–239. London: Routledge.
- Tabeev, Fikryat. 1970. “Attention! An important problem ...” Iskusstvo kino 7: 1-7.
- Wood, Robin. 1979. “An Introduction to the American Horror Film.” In American Nightmare: Essays on the Horror Film, edited by Andrew Britton, Richard Lippe, Tony Williams, Robin Wood. Toronto: Festival of Festivals.