Résumés
Abstract
Urban odonyms and public art that refer to the Chilean dictatorship (1973–1990) are artifacts within the cultural landscapes of Toronto, Laval, and Montreal. As commemorative material devices, I suggest odonyms and public art offer a symbolic way to cope with the experience of exile. Furthermore, these artifacts create social relations between Chilean exiles and Canadian urban spaces that contribute to forming a foreign community and define their present and future. Using a series of photographs, I chronicle the memorialization in Canada of a traumatic period in recent Chilean history.
Keywords:
- odonyms,
- public art,
- exile,
- dictatorship,
- Chile
Résumé
Les odonymes urbains et l’art public qui font référence à la dictature chilienne (1973-1990) sont des artefacts dans les paysages culturels de Toronto, Laval et Montréal. En tant que dispositifs matériels commémoratifs, je suggère que les odonymes et l’art public offrent un moyen symbolique de faire face à l’expérience de l’exil. De plus, ces artefacts créent des relations sociales entre les exilés chiliens et les espaces urbains canadiens qui contribuent à former une communauté étrangère et à définir leur présent et leur avenir. À l’aide d’une série de photographies, je fais la chronique de la commémoration, au Canada, d’une période traumatisante de l’histoire récente du Chili.
Mots-clés :
- odonymes,
- art public,
- exil,
- dictature,
- Chili
Parties annexes
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