Appendices
Bibliography
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- Fanon, Frantz. 2021 (1952) Black Skins, White Masks. Translated by Richard Philcox. London: Penguin Classics.
- Irigaray, Luce. 1985. “This Sex Which Is Not One.” Translated by Catherine Porter and Carolyn Burke. In This Sex Which Is Not One, 23-33. New York: Cornell University Press.
- Ko, Aph. 2019. Racism as Zoological Witchcraft. A Guide to Getting Out. Brooklyn: Lantern Books.
- Lugones, María. 2012. “Subjetividad Esclava, Colonialidad De Género, Marginalidad Y Opresiones Múltiples.” In Pensando Los Feminismos En Bolivia. Serie Foros 2, 129-37. La Paz: Conexión Fondo de Emancipación.
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- Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16, no. 3 (October): 6-18.
- Paszkiewicz, Katarzyna. 2017. “When the Woman Directs (a Horror Film).” In Women Do Genre in Film and Television, edited by Mary Harrod and Katarzyna Paszkiewicz, 41-56. New York: Routledge.
- Paszkiewicz, Katarzyna. 2018. Genre, Authorship and Contemporary Women Filmmakers. Edinburgh University Press.
- Peirse, Alison, ed. 2020. Women Make Horror: Filmmaking, Feminism, Genre. New Brunswick: Rutgers University Press.
- Pinedo, Isabel Cristina. 1997. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany: State University of New York Press.
- Pisters, Patricia. 2020. New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror. Edinburgh: Edinburgh University Press.
- Saldanha, Beatriz. 2019. “Poesia, Morbidez E Insurgência: As Diretoras Do Horror Nacional.” In Mulheres Atrás Das Câmeras: As Cineastas Brasileiras De 1930 a 2018, edited by Luiza Lusvarghi and Camila Vieira da Silva, 75-88. São Paulo: Editora Estação Liberdade.
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- Wynter, Sylvia. 2000. “Beyond Miranda’s Meanings: Un/Silencing the ‘Demonic Ground’ of Caliban’s ‘Woman’.” In The Black Feminist Reader, edited by Joy James and T. Denean Sharpley-Whiting, 109-27. Malden/Oxford: Blackwell.