Techno-Prosthetic Romantic Futurism

Bookbusters

The conservatives, Wordsworth and Coleridge, were happy to advance their little revolution at the level of language and content. [1]   The radicals wanted to change the way books worked. No one more keenly understood the book business than William Blake. No one more deeply feared it. His response: to build a better book from the bottom up. He invented a new process, a new product, a new conception of the book as multiplicity. [2]   Byron too: those serial stanzas, those accumulating couplets. They materialize a book too big for rag and type. [3]   Romanticism against the text! Books aren't just objects. They're events, organisms!


Notes

1. What a timid thing Lyrical Ballads seems in retrospect! See, Lyrical Ballads , ed. W. J. B. Owen (Oxford: Oxford UP, 1967).

2. See Joseph Viscomi William Blake and the Idea of the Book (Princeton: Princeton UP, 1998).

3. George Gordon, Lord Byron, "Don Juan," Byron, ed. Jerome McGann (Oxford: Oxford UP, 1986), 373-879.


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