Volume 35, numéro 2, 2014
Sommaire (28 articles)
La lecture de ces articles nécessite une redirection vers le site de la revue.
Front Matter
Introductions
Articles
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PuShing Performance Brands in Vancouver
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The Professionalization of a Stage Naturalist, the Making of a Mythmaker: The Theatre Criticism of Urjo Kareda at the University of Toronto’s Varsity Newspaper
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Revolution Night in Canada: Hockey and Theatre in Tomson Highway’s Dry Lips Oughta Move to Kapuskasing
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Performing Cultural Crossroads: The Subject-Making Functions of “I am” Declarations in Daniel David Moses’s Almighty Voice and His Wife
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Finding the New Radical: Digital Media, Oppositionality, and Political Intervention in Contemporary Canadian Theatre
Forums: Theatre? Research? In? Canada?
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What Are We Doing? From History to Research
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Disciplinarity and Dissolution
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Theatre / Research / Canada
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Theatre Studies in Quebec at the Crossroads
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In Praise of a Passion for Theatre Forever Seeking Links Yet Unseen: Research, Teaching, Criticism, Exchange in Canadian Theatre and Drama
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Chart of Subsidized French-Language Theatre Research in Quebec Since 1990
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A List of Questions About How We Ask Questions Some Thoughts on KMb and Theatre
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Honouring the 3 R's of Indigenous Research Methodologies
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"Theatre Research in Canada"
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The Trades of T.R.i.C. There Are No Macrohistories Here
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Applied Theatre and Performance Research in Canada?
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For the Future, the Past: LGBT2Q Theatre, Performance, and Scholarship in Canada
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Review of Dance Research in Quebec
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Contemporary Circus Research in Quebec: Building and Negotiating and Emerging Interdisciplinary Field
Book Reviews / Comptes Rendus
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Stephen Johnson (ed.). A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective New York: Theatre Library association, Performing Arts Resources28, 2011.
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Lauren Godbout, Louise Ladouceur, Gratien Allaire. Plus d’un siècle sur scène! Histoire du théâtre francophone en Alberta de 1887 à 2008. Edmonton : L’Institut pour le patrimoine, Campus Saint-Jean, 2012.
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Marlis Schweitzer. When Broadway Was The Runway: Theater, Fashion, and American Culture. Philadelphia: University of Pennsylvania Press, 2009.
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Roberta Barker and Kim Solga, (eds.). New Canadian Realisms. New Essays on Canadian Theatre, vol. 2. Toronto: Playwrights Canada Press, 2012.