
Volume 44, numéro 2, 2019 Resurfacing: Women Writing in 1970s Canada Refaire surface : écrivaines canadiennes des années 1970
Sommaire (19 articles)
Introduction
Articles / Articles
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Recognition, or the Depressive Pleasure of Reading Surfacing
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The “Great Game”; Archives and Canadian Literature in the 1960s and 1970s: Margaret Laurence and McMaster University’s William Ready
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Des « déchets humains » : esthétique trash et partage du sensible chez Margaret Laurence
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Scratching the Surface: Marian Engel’s 1970s Writing
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Exposing the Eugenic Reader: Maria Campbell’s Halfbreed and Settler Self-Education
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A Documentary Film on Fire: Les terribles vivantes/Firewords
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L’Acayenne des années 1970 : quand les femmes (s’)écrivent
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La réécriture, ou renverser la perspective : évangéline Deusse d’Antonine Maillet
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“But the Good Feelings Were There Too”: Care and Hospitality in Adele Wiseman’s Crackpot
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Lola Montez, c’est moi; or, Francesca Replayed
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Perfect Mismatch: Gwendolyn MacEwen and the Flat Earth Society
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Revisiting Sylvia Fraser’s Pandora: Girlhood, Body, and Language
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The Intertextual Condition: Vancouver Poems and the Development of Daphne Marlatt’s Archival Poetics
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The Progress of Writing in Alice Munro’s “The Office”
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“A Troublesome Weed Which Spreads Like Wildfire”: Fireweed: a feminist quarterly and the Politics of Diversity
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Feminist Anthologizing: Women and Words: The Anthology/Les femmes et les mots: Une anthologie
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Toward a Feminist Archival Ethics of Accountability: Researching with the Aritha van Herk Fonds