Résumés
Abstract
This essay explores the representation of motherhood in Mary Shelley's second novel, Valperga. It argues that if the name of the hero Castruccio connotes castration, this is because the novel does indeed figure its numerous literal and figurative mothers as castrating females, and is fundamentally unable to imagine of offer a vision of complete manhood.
Parties annexes
Works Cited
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10.7202/005750ar