Résumés
Abstract
This article explores the relation between poetry, place, and the concept of epigram as site-specific writing in the Coryciana. Published in 1524 in an edition assembled by Blosius Palladius, this multi-author, predominantly epigrammatic collection in honour of the humanist and apostolic protonotary Johann Goritz focuses on two prime sites within the city of Renaissance Rome: Goritz’s column chapel in Sant’Agostino, and his vineyard-villa near Trajan’s Forum. The poets and editors of the Coryciana participate in a collaborative placemaking project, plotting Goritz’s new sites of piety and culture in relation to the places of Greco-Roman antiquity and the modern city. At the same time, they represent the collection itself as a textual space, imbued with the commemorative, encyclopedic, and canonizing capacities of sites and built structures in ancient and contemporary Rome.
Keywords:
- Coryciana,
- Johann Goritz,
- Blosius Palladius,
- Fabio Vigili,
- Angelo Colocci,
- Renaissance Humanism,
- Renaissance Rome,
- Place,
- Space,
- Textuality,
- Canonicity,
- Neo-Latin Poetry,
- Epigram,
- Inscription,
- Collecting,
- Encyclopedism,
- Metapoetics,
- Print Medium
Résumé
Cet article explore la relation entre la poésie, le lieu et le concept d’épigramme comme « écriture propre au lieu » dans les Coryciana. Publié en 1524 dans une édition préparée par Blosius Palladius, ce recueil collectif principalement composé d’épigrammes et préparé en l’honneur de l’humaniste et protonotaire apostolique Johann Goritz se concentre sur deux sites majeurs de la Rome renaissante : la chapelle de Goritz à Sant’Agostino et sa villa-vignoble près du forum de Trajan. Les poètes et les éditeurs des Coryciana participent à un projet collectif d’aménagement de l’espace, déterminant les nouveaux sites de piété et de culture de Goritz en relation avec les lieux de l’Antiquité gréco-romaine et de la cité moderne. Ils représentent en même temps le recueil lui-même comme un espace textuel, imprégné des capacités commémoratives et encyclopédiques ainsi que de la faculté de canonisation des sites et des bâtiments de la Rome ancienne et contemporaine.
Veuillez télécharger l’article en PDF pour le lire.
Télécharger
Parties annexes
Bibliography
- Ashdowne, Richard, David Robert Howlett, and Ronald Edward Latham, eds. Dictionary of Medieval Latin from British Sources. Oxford: Oxford University Press, 2018.
- Barkan, Leonard. Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. New Haven, CT: Yale University Press, 1999.
- Beer, Susanna de. “In the Footsteps of Aeneas: Humanist Appropriations of the Virgilian Walk through Rome in Aeneid 8.” Humanistica Lovaniensia 66 (2017): 23–55. https://hdl.handle.net/1887/68301.
- Beer, Susanna de, Karl A. E. Enenkel, and David Rijser, eds. The Neo-Latin Epigram: A Learned and Witty Genre. Leuven: Leuven University Press, 2009.
- Beyer, Andreas. Parthenope: Neapel und der Süden der Renaissance. Munich: Deutscher Kunstverlag, 2000.
- Bianca, Concetta. “Giacomo Mazzocchi e gli Epigrammata Antiquae Urbis.” In Studi di antiquaria ed epigrafia per Ada Rita Gunnella, edited by Concetta Bianca, Gabriella Capecchi, and Paolo Desideri, 107–16. Rome: Edizioni di Storia e Letteratura, 2009.
- Bing, Peter. The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets. Rev. ed. Ann Arbor: Michigan Classical Press, 2008.
- Blair, Anne M. Too Much to Know: Managing Scholarly Information before the Modern Age. New Haven, CT: Yale University Press, 2010.
- Blake, Sarah. “Martial’s Natural History: The Xenia and Apophoreta and Pliny’s Encyclopedia.” Arethusa 44, no. 3 (Fall 2011): 353–77. https://doi.org/10.1353/are.2011.0018.
- Blanchard, W. Scott, and Andrea Severi, ed. Renaissance Encyclopaedism: Studies in Curiosity and Ambition. Toronto: Centre for Reformation and Renaissance Studies, 2018.
- Bober, Phyllis P. “The Coryciana and the Nymph Corycia.” Journal of the Warburg and Courtauld Institutes 40, no. 1 (1977): 223–39. https://doi.org/10.2307/750997.
- Boissard, Jean Jacques. Romanae Urbis Topographia et Antiquitates. Vol. 6. Frankfurt, 1602.
- Bonito, Virginia Anne. “The Saint Anne Altar in Sant’Agostino: Restoration and Interpretation.” Burlington Magazine 124, no. 950 (1982): 268–76.
- Boriaud, Jean-Yves, ed. Les Ruines De Rome / De Varietate Fortunae Livre I. Paris: Les Belles Lettres, 2014.
- Bradner, Leicester. “The Neo-Latin Epigram in Italy in the Fifteenth Century.” Medievalia et Humanistica 8 (1954): 62–70.
- Brummer, Hans Henrik. The Statue Court in the Vatican Belvedere. Stockholm: Almqvist and Wiksell, 1970.
- Cannata, Nadia. “Editing Colocci’s Collection of Epigrams and a Few Issues in Textual Criticism.” In Acta Conventus Neo-Latini Vindobonensis: Proceedings of the Sixteenth International Congress of Neo-Latin Studies, Vienna 2015, edited by Astrid Steiner Weber and Franz Römer, 182–96. Leiden: Brill, 2018.
- Cannata, Nadia. “ ‘Son come i cigni, anche i poeti rari’: L’immagine della poesia fra umanesimo volgare e tradizione greco-latina.” Letteratura e arte 8 (2010): 197–211. https://doi.org/10.1400/149417.
- Cannata, Nadia. “Timeless Galleries and Poetic Visions in Rome 1500–1540.” In Allusions and Reflections: Greek and Roman Mythology in Renaissance Europe, edited by Elisabeth Wåghäll Nivre et al., 289–307. Newcastle: Cambridge Scholars Publishing, 2015.
- Caruso, Carlo. “Poesia umanistica di villa.” In Feconde venner le carte: Studi in onore di Ottavio Besomi, edited by T. Crivelli, 272–94. Bellinzona: Edizioni Casagrande, 1997.
- Ceresa, Massimo. “Andrea Fulvio erudito, antiquario e classicista.” In Roma nella svolta tra Quattro e Cinquecento, edited by Stefano Colonna, 143–49. Rome: De Luca Editori d’Arte, 2004.
- Charbonnier, Sarah. “Rhétorique et poétique chez les peintres et les poètes dans la Rome de Léon X: Raphaël dans les Coryciana ou la disparition.” Bulletin de l’Association des Historiens de l’Art Italien 17 (2011): 77–84.
- Christian, Kathleen Wren. Empire without End: Antiquities Collections in Renaissance Rome. New Haven, CT: Yale University Press, 2010.
- Corpus Inscriptionum Latinarum (CIL). Berlin: G. Reimerum, 1862–.
- De Caprio, Vincenzo. “Sub tanta diruta mole: Il fascino delle rovine di Roma nel Quattro e Cinquecento.” In Poesia e poetica delle rovine di Roma: Momenti e problemi, edited by Vincenzo De Caprio, 23–51. Rome: Istituto Nazionale di Studi Romani, 1987.
- De Divitiis, Bianca de. “Pontanus Fecit: Inscriptions and Artistic Authorship in the Pontano Chapel.” California Italian Studies 3, no. 1 (2012): 1–36.
- Findlen, Paula. “The Museum: Its Classical Etymology and Renaissance Genealogy.” Journal of the History of Collections 1, no. 1 (June 1989): 59–78. https://doi.org/10.1093/jhc/1.1.59.
- Flower, Harriet I. Ancestor Masks and Aristocratic Power in Roman Culture. Oxford: Oxford University Press, 1996.
- Fredrick, David. “Haptic Poetics.” Arethusa 32, no. 1 (Winter 1999): 49–83. https://doi.org/10.1353/are.1999.0003.
- Gahtan, Maia Wellington. “Angelo Colocci as a Collector of Epigrams.” In Acta Conventus Neo-Latini Vindobonensis: Proceedings of the Sixteenth International Congress of Neo-Latin Studies, Vienna 2015, edited by Astrid Steiner Weber and Franz Römer, 277–88. Leiden: Brill, 2018.
- Gaisser, Julia Haig. Catullus and His Renaissance Readers. Oxford: Oxford University Press, 1993.
- Gaisser, Julia Haig. Pierio Valeriano on the Ill Fortune of Learned Men: A Renaissance Humanist and His World. Ann Arbor: University of Michigan Press, 1999. https://doi.org/10.3998/mpub.15984.
- Gaisser, Julia Haig. “The Rise and Fall of Goritz’s Feasts.” Renaissance Quarterly 48, no. 1 (Spring 1995): 41–57. https://doi.org/10.2307/2863320.
- Galbraith, David. “Petrarch and the Broken City.” In Antiquity and Its Interpreters, edited by Alina Payne, Ann Kuttner, and Rebekah Smick, 17–26. Cambridge: Cambridge University Press, 2000.
- Gessert, Genevieve S. “A Giant Corrupt Body: The Gendering of Renaissance Roma.” In Receptions of Antiquity, Constructions of Gender in European Art, 1300–1600, edited by Marice Rose and Alison C. Poe, 98–130. Leiden: Brill, 2015.
- Gnoli, Domenico. “Orti letterari nella Roma di Leon X.” In La Roma di Leon X: Quadri e studi originali, 136–63. Milan: Ulrico Hoepli, 1938.
- Gouwens, Kenneth. Remembering the Renaissance: Humanist Narratives of the Sack of Rome. Leiden: Brill, 1998. https://doi.org/10.1163/9789004247390.
- Greene, Thomas M. “Resurrecting Rome: The Double Task of the Humanist Imagination.” In Rome in the Renaissance: The City and the Myth: Papers of the Thirteenth Annual Conference of the Center for Medieval and Early Renaissance Studies, edited by P. A. Ramsey, 41–54. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1982.
- Greene, Thomas M. “Ritual and Text in the Renaissance.” In Reading the Renaissance: Culture, Poetics, and Drama, edited by Jonathan Hart, 17–34. New York: Garland, 1996. https://doi.org/10.4324/9781315861289.
- Habinek, Thomas N. “An Aristocracy of Virtue.” In The Politics of Latin Literature: Writing, Identity, and Empire in Ancient Rome, 137– 50. Princeton, NJ: Princeton University Press, 2001. https://doi.org/10.1515/9781400822515.137.
- Hankins, James. Virtue Politics: Soulcraft and Statecraft in Renaissance Italy. Cambridge, MA: Harvard University Press, 2019. https://doi.org/10.4159/9780674242517.
- Hausmann, Frank Rutger. “Untersuchungen zum Neulateinischen Epigramm Italiens im Quattrocento.” Humanistica Lovaniensia 21 (1972): 1–35. https://www.jstor.org/stable/23973430.
- Hui, Andrew. The Poetics of Ruins in Renaissance Literature. New York: Fordham University Press, 2016. https://doi.org/10.1515/9780823273379.
- IJsewijn, Jozef, ed. Coryciana. Rome: Herder, 1997.
- IJsewijn, Jozef. “Poetry in a Roman Garden: The Coryciana.” In Latin Poetry and the Classical Tradition: Essays in Medieval and Renaissance Literature, edited by Peter Godman and Oswyn Murray, 211–31. Oxford: Oxford University Press, 1990.
- Jacks, Philip Joshua. The Antiquarian and the Myth of Antiquity: The Origins of Rome in Renaissance Thought. Cambridge: Cambridge University Press, 1993.
- Keilen, Lydia, ed. Coryciana. Livre Premier: Épigrammes / Epigrammata. Paris: Les Belles Lettres, 2020.
- Koerner, Joseph Leo. The Reformation of the Image. Chicago: University of Chicago Press, 2004.
- König, Jason, and Greg Woolf, eds. Encyclopaedism from Antiquity to the Renaissance. Cambridge: Cambridge University Press, 2013. https://doi.org/10.1017/CBO9781139814683.
- Lindsay, W. M., ed. M. Val. Martialis Epigrammata. Oxford: Clarendon Press, 1929.
- Lucioli, Francesco. Jacopo Sadoleto umanista e poeta. Rome: Roma nel Rinascimento, 2014.
- MacDougall, Elizabeth B. “The Sleeping Nymph: Origins of a Humanist Fountain Type.” The Art Bulletin 57, no. 3 (1975): 357–65. https://doi.org/10.1080/00043079.1975.10787183.
- Mazzocco, Angelo. “Petrarca, Poggio, and Biondo: Humanism’s Foremost Interpreters of Roman Ruins.” In Francis Petrarch, Six Centuries Later: A Symposium, edited by Aldo Scaglione, 353–63. Chapel Hill: University of North Carolina Press, 1975.
- McCahill, Elizabeth M. “Rewriting Vergil, Rereading Rome: Maffeo Vegio, Poggio Bracciolini, Flavio Biondo, and Early Quattrocento Antiquarianism.” Memoirs of the American Academy in Rome 54 (2009): 165–99. https://doi.org/10.3998/mpub.3468388.
- Muecke, Francis. “Humanists in the Roman Forum.” Proceedings of the British Academy 71 (November 2003): 207–33. https://doi.org/10.1017/S0068246200002440.
- Pade, Marianne. “The Material Fortune of Niccolò Perotti’s Cornu Copiae in the Fifteenth and Early Sixteenth Centuries.” In Neo-Latin Philology: Old Tradition, New Approaches: Proceedings of a Conference Held at the Rabdoub University, Nijmegen, 26–27 October 2010, edited by Marc van der Poel, 71–88. Leuven: Leuven University Press, 2014. https://doi.org/10.2307/j.ctt14jxt24.
- Pellegrino, Francesca. “Elaborazioni di alcuni principali topoi artistici nei Coryciana.” In Visuelle Topoi: Erfindung und tradiertes Wissen in den Künsten der italienischen Renaissance, edited by Ulrich Pfisterer and Max Seidel, 217–62. München: Deutscher Kunstverlag, 2003.
- Perotti, Niccolò. Cornucopiae seu Latinae linguae commentarii locupletissimi. Venice: Paganinus de Paganinis, 1489.
- Petrain, David. “Visual Supplementation and Metonymy in the Roman Library.” In Ancient Libraries, edited by Jason König, Katerina Oikonomopoulou, and Greg Woolf, 332–46. New York: Cambridge University Press, 2013. https://doi.org/10.1017/CBO9780511998386.021.
- Pettinelli, Rosanna Alhaique. “Punti di vista sull’arte nei poeti dei Coryciana.” Rassegna della letteratura italiana 90 (1986): 41–54.
- Platner, Samuel Ball. A Topographical Dictionary of Ancient Rome. Completed and revised by Thomas Ashby. London: Oxford University Press, 1929.
- Quinlan-McGrath, Mary. “Aegidius Gallus, De viridario Augustini Chigii vera libellus: Introduction, Latin Text and English Translation.” Humanistica Lovaniensia 38 (1989): 1–8, 10–99. https://www.jstor.org/stable/23973712.
- Quinlan-McGrath, Mary. “Blosius Palladius, Suburbanum Augustini Chisii: Introduction, Latin Text and English Translation.” Humanistica Lovaniensia 39 (1990): 93–156. https://www.jstor.org/stable/23973736.
- Reynolds, Anne. “Cardinal Oliviero Carafa and the Early Cinquecento Tradition of the Feast of Pasquino.” Humanistica Lovaniensia 34A (1985): 178–208. https://www.jstor.org/stable/23973643.
- Rhodes, Dennis E. “Further Notes on the Publisher Giacomo Mazzocchi.” Papers of the British School at Rome 40 (November 1972): 239–42. https://doi.org/10.1017/S0068246200007984.
- Rijser, David. Raphael’s Poetics: Art and Poetry in High Renaissance Rome. Amsterdam: Amsterdam University Press, 2012.
- Rowland, Ingrid D. “Angelo Colocci’s Collections of Epigrams.” In The Neo- Latin Epigram: A Learned and Witty Genre, edited by Susanna de Beer, Karl A. E. Enenkel, and David Rijser, 325–41. Leuven: Leuven University Press, 2009.
- Rowland, Ingrid D. The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome. Cambridge: Cambridge University Press, 1998.
- Rowland, Ingrid D. “Raphael, Angelo Colocci, and the Genesis of the Architectural Orders.” The Art Bulletin 76, no. 1 (1994): 81–104. https://doi.org/10.2307/3046004.
- Ruysschaert, José. “Les péripéties inconnues de l’édition des Coryciana de 1524.” In Atti del Convegno di studi su Angelo Colocci, Jesi, 13–14 settembre 1969, 45–60. Jesi: Amministrazione comunale di Jesi, 1972.
- Sodano, Rossana. “Intorno ai Coryciana: Conflitti politici e letterari in Roma dagli anni di Leone X a quelli di Clemente VII.” Giornale Storico della Letteratura Italiana 178, no. 583 (2001): 420–50.
- Spaeth, John W., Jr. “Martial and the Pasquinade.” Transactions and Proceedings of the American Philological Association 70 (1939): 242–55. https://doi.org/10.2307/283087.
- Testi, Francesca. “Sic Coriti aeternas, sic Sansovinus honorem: L’arte di Andrea Sansovino nei versi dei Coryciana.” In Andrea Sansovino: Profeta in patria, edited by Paola Refice et al., 43–46. Città di Castello: Icona, 2016.
- Van Asselt, William. “The Prohibition of Images and Protestant Identity.” In Iconoclasm and Iconoclash: Struggle for Religious Identify, edited by William Van Asselt et al., 297–311. Leiden: Brill, 2007. https://doi.org/10.1163/ej.9789004161955.i-538.133.
- Weiss, Roberto. The Renaissance Discovery of Classical Antiquity. Oxford: Blackwell, 1969.