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Stevens, Caroline. « Katy Deepwell, ed., New Feminist Art Criticism: Critical Strategies, Manchester and New York, Manchester University Press, 1995, 201 pp., 65 black-and-white illus. / Norma Broude and Mary D. Garrard, eds, The Power of Feminist Art: The American Movement of the 1970’s, History and Impact, New York, Harry N. Abrams, 1994, 318 pp., 118 colour plates, 152 black-and-white illus. » RACAR : Revue d'art canadienne / Canadian Art Review, volume 22, numéro 1-2, 1995, p. 109–113. https://doi.org/10.7202/1072519ar
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Stevens, C. (1995). Compte rendu de [Katy Deepwell, ed., New Feminist Art Criticism: Critical Strategies, Manchester and New York, Manchester University Press, 1995, 201 pp., 65 black-and-white illus. / Norma Broude and Mary D. Garrard, eds, The Power of Feminist Art: The American Movement of the 1970’s, History and Impact, New York, Harry N. Abrams, 1994, 318 pp., 118 colour plates, 152 black-and-white illus.] RACAR : Revue d'art canadienne / Canadian Art Review, 22(1-2), 109–113. https://doi.org/10.7202/1072519ar
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Stevens, Caroline « Katy Deepwell, ed., New Feminist Art Criticism: Critical Strategies, Manchester and New York, Manchester University Press, 1995, 201 pp., 65 black-and-white illus. / Norma Broude and Mary D. Garrard, eds, The Power of Feminist Art: The American Movement of the 1970’s, History and Impact, New York, Harry N. Abrams, 1994, 318 pp., 118 colour plates, 152 black-and-white illus. ». RACAR : Revue d'art canadienne / Canadian Art Review 22, no 1-2 (1995) : 109–113. https://doi.org/10.7202/1072519ar
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