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Biographical notes
Emily Banks (MFA, Ph.D) is a Visiting Assistant Professor at Franklin College. Her work on Shirley Jackson has appeared in Shirley Jackson: A Companion, Shirley Jackson and Domesticity: Beyond the Haunted House, Women’s Studies, and JMMLA. She chairs the Shirley Jackson Society and is a managing editor of Shirley Jackson Studies. She has published additional scholarship on the American Gothic in ESQ, Mississippi Quarterly, and Arizona Quarterly, and is also the author of the poetry collection Mother Water. She lives in Indianapolis.
Alexis Finc is a doctoral student in the Media, Art and Text Program at Virginia Commonwealth University. Her research focuses on Shirley Jackson and issues of motherhood and identity in her writing. She lives in Richmond, Virginia.
Bibliography
- Banks, Emily. 2022. “Elusive Allusions: Shirley Jackson’s Gothic Intertextuality.” Journal of the Midwest Modern Language Association 55, no. 1 (Spring): 117–47. https://doi.org/10.1353/mml.2022.a913842.
- DeLillo, Don. 1985. White Noise. New York: Penguin Books.
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- Freud, Sigmund. (1919) 1957. “The Uncanny.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud Vol. XVII (1917-1919): An Infantile Neurosis and Other Works, edited by James Strachey, 217–56. London: The Hogarth Press.
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- Kasper, Daniel. 2020. “‘What a Complete and Separate Thing I Am’: Introduction to Rethinking Shirley Jackson.” 2020. Women’s Studies 49, no. 8 (December): 803-808. https://doi.org/10.1080/00497878.2020.1814291.
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