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Parties annexes
Note biographique
Mitch Renaud is an interdisciplinary MA student at the University of Victoria, where he is a member of the Cultural, Social, and Political Thought program. He is thinking about noise, materiality, fidelity, along with the more-than-human in relation to sound and music. Mitch is a composer and a member of the Blue Moss Ensemble. More about his practice can be found at mitchrenaud.com.
Bibliographie
- Attali, Jacques. 1985. Noise: The Political Economy of Music, trans. Brian Massumi. Minneapolis: University of Minnesota Press.
- Braun, Bruce, and Sarah Whatmore, eds. 2010. Political Matter: Technoscience, Democracy, and Public Life. Minneapolis: University of Minnesota Press.
- Cassidy, Aaron, and Aaron Einbond. 2013. Noise in and as Music. Huddersfield: University of Huddersfield Press.
- Coole, Diana H., and Samantha Frost, eds. 2010. New Materialisms: Ontology, Agency, and Politics. Durham, NC: Duke University Press.
- Dolphijn, Rick, and Iris van der Tuin. 2012. New Materialism: Interviews & Cartographies. Ann Arbor: Open Humanities.
- Goddard, Michael, Benjamin Halligan, and Nicola Spelman. 2013. Resonances: Noise and Contemporary Music. London: Continuum.
- Goddard, Michael, Benjamin Halligan, and Paul Hegarty. 2012. Reverberations: The Aesthetics, Affect and Politics of Noise. London: Continuum.
- Goodman, Steve. 2009. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, MA; MIT Press.
- Hainge, Greg. 2013. Noise Matters: Towards an Ontology of Noise. New York: Bloomsbury Academic.
- Hegarty, Paul. 2007. Noise/Music: A History. New York: Continuum.
- Kahn, Douglas. 1999. Noise, Water, Meat: A History of Sound in the Arts. Cambridge, MA: MIT Press.
- Krapp, Peter. 2011. Noise Channels Glitch and Error in Digital Culture. Minneapolis: University of Minnesota Press.
- Nunes, Mark, ed. 2012. Error: Glitch, Noise, and Jam in New Media Cultures. New York: Bloomsbury.
- Schwartz, Hillel. 2011. Making Noise: From Babel to the Big Bang & Beyond. Brooklyn: Zone Books.
- Serres, Michel. 1995. Genesis, trans. Genevieve James and James Nielson. Ann Arbor: University of Michigan Press.
- Serres, Michel. 2007. The Parasite, trans. Lawrence R Schehr. Minneapolis: University of Minnesota Press.
- Serres, Michel. 2009. The Five Senses: A Philosophy of Mingled Bodies, trans. Margaret Sankey and Peter Cowley. London: Continuum.
- Sterne, Jonathan. 2012. MP3: The Meaning of a Format. Durham, NC: Duke University Press.
- Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.