William Caplin Responds

Caplin, William

doi:https://doi.org/10.7202/1009286ar

Caplin, William E. 1998. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. Oxford: Oxford University Press.

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Caplin, William E. 2008. “Schoenberg’s ‘Second Melody,’ or, ‘Meyer-ed’ in the Bass.” In Communication in Eighteenth-Century Music, ed. Danuta Mirka and Kofi Agawu, 160–188 (Cambridge: Cambridge University Press).

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Caplin, William E. 2009. “What Are Formal Functions?” In Music, Forms & Formenlehre: Three Methodological Reflections (by William E. Caplin, James Hepokoski, and James Webster), edited by Pieter Bergé, 21–40. Leuven: Leuven University Press.

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Hepokoski, James, and Warren Darcy. 2006. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. Oxford: Oxford University Press.

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Schmalfeld, Janet. 1992. “Cadential Processes: The Evaded Cadence and the ‘One More Time’ Technique.” Journal of Musicological Research 12:1–52.

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William Caplin Responds[Notice]

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