Résumés
Abstract
In what ways have forms for engendering the interconnection and materiality required for creative production changed in the time of COVID-19? How and why have our notions of imagining and visualizing cross-cultural production and its modes of research, analysis, and representation shifted? The global pandemic and responses to it through various forms of cultural production have seen an explosion of productivity and collective social actions as well as the reinforcement of entrenched systemic racism and other forms of discrimination and imbalance. In this special issue, authors weave together a series of dialogues, methodological approaches, and materialities that reflect on the visuality of the experiences that were first developed through shared critical autoethnographic practices during and after an international Massive Micro Sensemaking experiment involving 165 people.
Résumé
En quoi la façon de produire les liens et la matérialité nécessaires à la production créative ont changé pendant la pandémie de COVID-19 ? Comment et pourquoi nos notions de l’imagination et de la visualisation de la production interculturelle et ses modes de recherche, d'analyse et de représentation ont évolué ? La pandémie mondiale et les manières d’y faire face par le biais de diverses formes de production culturelle ont donné lieu à une explosion de la productivité et à des actions sociales collectives, ainsi qu’au renforcement d’un racisme systémique enraciné et à d'autres formes de discrimination et de déséquilibre. Dans ce numéro spécial, les auteurs entrelacent une série de dialogues, d'approches méthodologiques et de matérialités qui s’interrogent sur la visibilité d’expériences qui ont d'abord été développées à travers des pratiques autoethnographiques critiques partagées pendant et après une expérience internationale de Massive Micro Sensemaking impliquant 165 personnes.
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