Parties annexes
Bibliography
- Anstee, Cameron. “Setting Widespread Precedent: The Canada Council for the Arts and the Funding of Poetry Readings in Canada (1957–1977).” AMODERN 4 (March 2015). www.amodern.net/author/canstee.
- Aubin, Mathieu, and Deanna Fong, “What Makes Oral Literary History Different?” SPOKENWEBLOG, 7 September 2021. spokenweb.ca/what-makes-oral-literary-history-different.
- Aubin, Mathieu, and Deanna Fong, “SpokenWeb Oral Literary History Protocol.” Protocol Document, 29 March 2021. www.spokenweb.ca/spokenweb-oral-literary-history-protocol.
- Auslander, Philip. Liveness: Performance in a Mediatized Culture. Routledge, 2008.
- Benjamin, Walter. “The Work of Art in the Age of Its Technological Reproducibility.” Second version. The Work of Art in the Age of Its Technological Reproducibility and Other Writings On Media. Eds. Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin. Trans. Edmund Jephcott, Rodney Livingstone, Howard Eiland, and others. Belknap Press of Harvard, 2008. 19–56.
- Bowering, George. Interview by Jason Camlot, with Ashley Clarkson. 12 October 2012. www.montreal.spokenweb.ca/oral-literary-history.
- Camlot, Jason. “The Sound of Canadian Modernisms: The Sir George Williams University Poetry Series, 1966–74.” Journal of Canadian Studies/Revue d’études canadiennes 46.3 (2012): 28–59.
- Camlot, Jason. “Historicist Audio Forensics: The Archive of Voices as Repository of Material and Conceptual Artifacts.” C19: Interdiscplinary Studies in the Long Nineteenth Century 21 (2015). doi.org/10.16995/ntn.744.
- Camlot, Jason. “Oral Literary History.” SpokenWeb Montreal. www. montreal.spokenweb.ca/oral-literary-history.
- Camlot, Jason. “Robert Creeley in Transition 1967/1970: Changing Formats for the Public Poetry Reading.” ESC: English Studies in Canada 43.2 (2017): 215–45. Project MUSE. doi:10.1353/esc.2017.0018.
- Camlot, Jason, and Christine Mitchell. “Amodern 4: The Poetry Series.” AMODERN, March 2015. www.amodern.net/article/editorial-amodern-4.
- Camlot, Jason, and Darren Wershler. “Theses on Discerning the Reading Series.” AMODERN 4 (March 2015). www.amodern.net/article/theses-reading-series.
- Carey, James. “A Cultural Approach to Communication,” Communication as Culture: Essays on Media and Society. 1982. Routledge, 2009. 11–28.
- Casey, Mike. “Why Media Preservation Can’t Wait: The Gathering Storm.” IASA Journal 44 (January 2015): 14–22.
- Century, Michael. Northern Sparks: Innovation, Technology Policy, and the Arts in Canada from Expo 67 to the Internet Age. MITPress, 2022.
- Concordia University Records Management and Archives. “Hall Building.” www.concordia.ca/offices/archives/buildings/sgw/hall-building.html.
- Dragland, Stan. Wilson Macdonald’s Western Tour, 1923–24: A Collage of Letters (to, from, and About Wilson MacDonald), Newspaper Clippings, Poems, Drawings and Miscellaneous MacDonaldiana. Coach House Press, 1975.
- Ernst, Wolfgang. “Media Archaeography: Method and Machine versus the History and Narrative of Media.” Digital Memory and the Archive. Ed. Jussi Parikka. University of Minnesota Press, 2012. 55–80.
- Ernst, Wolfgang. “The Sonic Computer.” Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity. Amsterdam UP, 2016. 43–48.
- Ernst, Wolfgang. “History or Resonance?” Sonic Time Machines. 85–106.
- Fink, Howard. Interview by Jason Camlot, with Ashley Clarkson. 2 November 2012.
- Fong, Deanna, and Shearer, Karis. “Gender, Affective Labour, and Community-Building Through Literary Audio Recordings.” SPOKENWEBLOG, 21 April 2022. www.spokenweb.ca/gender-affective-labour-and-community-building-through-literary-audio-recordings.
- Gaonkar, Dilip Parameshwar, and Elizabeth A. Povinelli. “Technologies of Public Forms: Circulation, Transfiguration, Recognition.” Public Culture 15.3 (2003): 385–97.
- Ginsberg, Allen. “Allen Ginsberg Poetry Reading and Press Conference.” Internet Archive, 1 November 1969. www.archive.org/details/ybc-fbr-173_4173.
- Ginsberg, Allen. “Allen Ginsberg Poetry Reading and Press Conference,” 31 October 1969. Yiddish Book Centre, Frances Brandt Online Yiddish Audio Library. www.yiddishbookcenter.org/collections/archival-recordings/frances-brandt/fbr-173_4173/allen-ginsberg-poetry-reading-and-press-conference-allen-ginsburg.
- Ginsberg, Allen. “Allen Ginsberg at SGWU, 1969.” SpokekenWeb. montreal.spokenweb.ca/sgw-poetry-readings/allen-ginsberg-at-sgwu-1969/#1.
- Frisch, Michael. A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. State University of New York Press, 1990.
- Gumbrecht, Hans Ulrich. Production of Presence: What Meaning Cannot Convey. Stanford UP, 2004.
- Hertz, Garnet, and Jussi Parikka. “Zombie Media: Circuit Bending Media Archaeology into an Art Method.” Leonardo 45.5 (2012): 424–30.
- Kittler, Friedrich A. Discourse Networks 1800/1900. 1985. Trans. Michael Metteerr, with Chris Cullens. Stanford UP, 1990.
- Kittler, Friedrich A. Gramophone, Film, Typewriter. 1986. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford UP, 1999.
- Krämer, Sybille. “The Cultural Techniques of Time Axis Manipulation: On Friedrich Kittler’s Conception of Media.” Theory, Culture, and Society 23.7–8 (2006): 93–109.
- Levine, Zeke. “Man Out of Time: Allen Ginsberg in Montreal.” Yiddishbookcentre.org. www.yiddishbookcenter.org/language-literature-culture/vault/man-out-time-allen-ginsberg-montreal.
- Liu. Alan. Laws of Cool: Knowledge Work and the Culture of Information. Chicago UP, 2004.
- McKemmish, Sue, and Michael Piggott. “Toward the Archival Multiverse: Challenging the Binary Opposition of the Personal and Corporate Archive in Modern Archival Theory and Practice.” Archivaria 2013: 111–44.
- Mitchell, Christine. “Again the Air Conditioners: Finding Poetry in the Institutional Archive.” AMODERN 4 (March 2015). amodern.net/article/again-air-conditioners.
- Morgan, Bill. The Response to Allen Ginsberg 1926–1994: A Bibliography of Secondary Sources. Greenwood Press, 1996.
- Morrissey, Stephen. Interviews by Jason Camlot, with Ashley Clarkson, 22 April 2013, 12 June 2013. www.montreal.spokenweb.ca/oral-literary-history.
- Oberfield, Harvey. “Audio-Visual Facilities Best in the Country.” The Georgian, 14 October 1966: S4.
- Portelli, Alessandro. “The Peculiarities of Oral History.” History Workshop Journal 12.1 (1981): 96–107.
- Richmond, John. “Ginsberg preaches here and now philosophy.” Montreal Star, 3 November 1969, 38.
- Schofield, Mark. Interview by Christine Mitchell, 12 September 2013. SpokenWeb Montreal, Oral Literary History. www.montreal.spokenweb.ca/oral-literary-history.
- Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Duke UP, 2000.
- Shaw, Lytle. “Third Personism: The FBI’s Poetics of Immediacy in the 1960s.” Narrowcast: Poetry and Audio Research. Stanford UP, 2018. 35–70.
- Siegert, Bernhard. Cultural Techniques: Grids, Filters, Doors, and other Articulations of the Real. Trans. Geoffrey Winthrop-Young. Fordham UP, 2015.
- Sterne, Jonathan. “Headset Culture, Audile Technique, and Sound Space as Private Space.” Tijdschrift voor Mediageschiedenis 6.2 (2014): 57–82.
- Straw, Will. “The Circulatory Turn.” The Wireless Spectrum: The Politics, Practices, and Poetics of Mobile Media. Eds. Barbara Crow, Michael Longford, and Kim Sawchuk. University of Toronto Press, 2010. 17–28.
- Tyrell, Roger. Interview by Jason Camlot, with Piyusha Chatterjee. 28 November 2018.
- Willard, Geoff. “2000+ audio cassettes from Allen Ginsberg collection now streaming from SearchWorks.” Stanford Libraries, 18 July 2017. www.library.stanford.edu/blogs/digital-library-blog/2017/07/2000-audio-cassettes-allen-ginsberg-collection-now-streaming.
- Yeo, Geoffrey. “Research in the Archival Multiverse.” Review. The American Archivist 81.1 (2018): 249–53. doi.org/10.17723/0360-9081-81.1.249.
- Young, Liam Cole. “Foreward: Wolfgang Ernst’s Media-Archaeological Soundings.” Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicity Sonicity. Amsterdam UP, 2016. 9–17.
- Žižek, Slavoj. The Parallax View. MITPress, 2009.