Volume 45, numéro 4, 2019
Sommaire (8 articles)
Articles
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Time/frame: Rewriting the Mirror Stage in Lacan's Anxiety Seminar
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From Philosopher’s Wife to Feminist Autotheorist: Performing Phallic Mimesis as Parody in Chris Kraus’s I Love Dick
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Punk is Dead: Notes Toward the Apocalyptic Tone Adopted by Punk Rock
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P.K. Page’s “Inebriate”: A Gloss on a Glosa
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Building a Practical Past: Wayson Choy's Paper Shadows
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Politics of Memory: Digital Repositories, Settler Colonialism, and Jordan Abel’s Un/inhabited
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The Source and Structure of Girl World: Tina Fey’s Mean Girls and Rosalind Wiseman’s Queen Bees and Wannabes