Résumés
Résumé
À partir d’une analyse documentaire des productions audiovisuelles mises en ligne sur Pitchfork et des contenus qui en font la promotion, cet article propose d’explorer comment l’usage du live permet au webzine de légitimer son rôle comme composante créative au sein des industries de la musique. Comment les forces de modelages des plateformes numériques, tel que YouTube, ont-elles transformé les pratiques du webzine et les possibilités de création et de diffusion de productions audiovisuelles live? Cet article propose le concept de performance de la forme en explorant comment de multiples performances peuvent être attribuées à une forme culturelle donnée.
Mots-clés :
- presse musicale,
- webzine,
- performance,
- musique live,
- numérique,
- production audiovisuelle
Abstract
Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music industries. How have the molding forces of digital platforms, such as YouTube, transformed the webzine’s practices and the possibilities for creating and broadcasting live audiovisual productions? This article proposes the concept of form performance by exploring how multiple performances can be attributed to a given cultural form.
Keywords:
- music press,
- webzine,
- performance,
- live music,
- digital,
- audiovisual production
Parties annexes
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