Abstracts
Abstract
This article tells the story of how the personal truth and reconciliation journeys of an Indigenous professor and non-Indigenous (settler ally) master’s student coiled together after a university-based art exhibition. The exhibit, REDress Missing and Murdered Indigenous Women and Girls and Two-Spirit People (MMIWG2S), opened at Thompson Rivers University (TRU) Art Gallery in October 2021. Its purpose was to honour the Truth and Reconciliation Commission of Canada’s (2015) call to action #41. At the opening ceremony of the exhibit, Mukwa Musayett / Dr. Shelly Johnson gave a talk regarding murdered and missing Indigenous women, girls, and two-spirit people. The exhibit included a REDress pine needle sculpture by Patricia L. Smith. The sculpture and talk led to a joint discussion between us about the experiences that brought us to participate in the MMIWG2S exhibit at the same postsecondary institution. First, we developed a plan to write about this experience of Indigenous and settler allyship between a professor and a student. Second, we identified a proposed collaboration on an allyship project entitled InStead to further education, awareness and reconciliation regarding MMIWG2S with and between other postsecondary faculty, students, and community members.
Keywords:
- Missing Murdered Indigenous Women Girls,
- REDress,
- Art,
- Pine Needle
Résumé
Cet article raconte comment les parcours personnels de vérité et de réconciliation d’un professeur autochtone et d’un étudiant en maîtrise non autochtone (allié des colons) se sont rejoints après une exposition d’art à l’université. L’exposition REDress Missing and Murdered Indigenous Women and Girls and Two-Spirit People (MMIWG2S) a été inaugurée à la galerie d’art de l’université Thompson Rivers (TRU) en octobre 2021. Son objectif était d’honorer l’appel à l’action (2015) n° 41 de la Commission de vérité et de réconciliation du Canada. Lors de la cérémonie d’ouverture de l’exposition, Mukwa Musayett / Dr. Shelly Johnson a présenté un exposé universitaire autochtone sur les femmes, les filles et les personnes bispirituelles autochtones assassinées et disparues. L’exposition comprenait une sculpture en aiguilles de pin REDress de Patricia L. Smith. Cela a conduit à une discussion commune entre les deux femmes sur les expériences qui nous ont amenées à participer à l’exposition MMIWG2S dans le même établissement d’enseignement supérieur. Tout d’abord, nous avons élaboré un plan pour écrire sur cette expérience d’allié autochtone et colon entre un professeur et une étudiante. Deuxièmement, nous avons proposé de collaborer à un projet d’allié intitulé « Au lieu de « afin de favoriser l’éducation, la sensibilisation et la réconciliation concernant le MMIWG2S avec et entre d’autres professeurs, étudiants et membres de la communauté de l’enseignement postsecondaire.
Mots-clés :
- Femmes et filles autochtones disparues et assassinées,
- REDress,
- art,
- Pine Needle
Appendices
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