Abstracts
Abstract
Still/Falling (2016) is a play for young audiences, written by Rachel Aberle, and produced by Green Thumb Theatre in Vancouver. This forum article critically examines the play’s role in local high-school curriculum through the lens of three topics: pedagogy, staging, and terminology. In particular, the article argues that a number of elements—including questions posed to students in the play’s study guide, symbols chosen to represent mental illness in the play, and mental health discourse surrounding the production—work against Green Thumb’s mandate to challenge stigma around mental illness. To combat stereotypes, a greater sense of ambiguity and complexity in these three areas is called for.
Keywords:
- Theatre for Young Audiences (TYA),
- mental illness,
- mad studies,
- representation
Résumé
Still/Falling (2016) est une pièce jeune public écrite par Rachel Aberle et produite par la compagnie Green Thumb Theatre de Vancouver. Dans cette contribution au forum, Matthew Tomkinson propose un examen critique du rôle de la pièce au sein du curriculum d’une école secondaire en s’attardant à trois aspects : les défis d’ordre pédagogique, la représentation sur scène et la terminologie employée. Tomkison fait valoir qu’un certain nombre d’éléments — des questions qui figurent dans le guide pédagogique, des symboles employés pour représenter la maladie mentale dans la pièce, le métadiscours sur la santé mentale — vont à l’encontre de la mission de Green Thumb, qui est de lutter contre la stigmatisation des maladies mentales. Selon lui, il faudrait mieux nuancer et développer le propos afin de combattre les stéréotypes.
Mots-clés :
- Théâtre jeunes publics,
- santé mentale,
- étude de la folie,
- représentation
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Appendices
Biographical note
Matthew Tomkinson is a writer, sound designer, and doctoral student in Theatre Studies at the University of British Columbia. Matthew’s doctoral research explores the material, political, and psychological dimensions of sound within the Deaf, Disability, and Mad arts. His music for dance and theatre has been presented at a number of festivals, including PuSh, Vines, New Works, Dance in Vancouver, and Dancing on the Edge. His debut collection of short prose, Archaic Torso of Gumby (2020), co-authored with Geoffrey Morrison, is out with Gordon Hill Press, and his chapbook, For a Long Time (2019), is available at Frog Hollow Press.
Bibliography
- Davis, Lennard J. Enforcing Normalcy: Disability, Deafness, and the Body. Verso, 1995.
- Great Canadian Theatre Company. “An Interview with w/the Playwright of Still/Falling, Rachel Aberle.” Great Canadian Theatre Company, 22 March 2018, https://www.gctc.ca/blog-news/2018/3/22/an-interview-wthe-playwright-of-stillfalling-rachel-aberle. Accessed 23 April 2018.
- Kingston Grand Theatre. “Still/Falling.” YouTube, 29 February 2016, https://www.youtube.com/watch?v=dTGHQKV2qTg. Accessed 23 April 2018.
- Kuppers, Petra. “Bodies, Hysteria, Pain: Staging the Invisible.” Bodies in Commotion: Disability and Performance, edited by Carrie Sandahl and Philip Auslander, U of Michigan P, 2005, pp. 147–62.
- McPhee, Cathryn. “Still/Falling: A Study Guide for Grade 7 and Up.” Persephone Theatre, https://www.persephonetheatre.org/uploads/youth_events/StillFalling_-_Study_Guide.pdf. Accessed 23 April 2018.
- Reason, Matthew. The Young Audience: Exploring and Enhancing Children’s Experiences of Theatre. Trentham Books, 2010.
- Still/Falling. By Rachel Aberle, performed by Olivia Hutt, Green Thumb Theatre, Vancouver. 5 March 2018.