Appendices
Bibliography
- Blatchford, Christie. Life Sentence: Stories from Four Decades of Court Reporting — Or, How I Fell out of Love with the Canadian Justice System (Especially Judges). E-book ed., Penguin Random House, 1996.
- Bruzzi, Stella. “Narrative, ‘Evidence Vérité,’ and the Different Truths of the Modern Trial Documentary.” Documentary across Disciplines, edited by Erika Balsom and Hila Peleg, MIT P, 2016, pp. 253-77.
- Canada. “Victim Privacy and the Open Court Principle.” Government of Canada, www.justice.gc.ca/eng/rp-pr/cj-jp/victim/rr03_vic1/p7_2.html.
- CBC. “Bernardo Tapes Destroyed, Says Lawyer for Victims’ Families.” CBC News, 21 Dec. 2001, www.cbc.ca/news/canada/bernardo-tapes-destroyed-says-lawyer-for-victims-families-1.281265.
- Champagne, Roland A. The Ethics of Reading According to Emmanuel Levinas. Rodopi, 1998.
- Crosbie, Lynn. Paul’s Case: The Kingston Letters. Insomniac, 1997.
- Crosbie, Lynn. “A Shapeshifter: Eva Tihanyi Speaks with Lynn Crosbie.” Books in Canada, vol. 27, no. 2, 1998. Proquest, www.proquest.com/docview/215186290?OpenUrlRefId=info:xri/sid:primo&accountid=14771.
- Crosthwaite, Paul. Introduction. Criticism, Crisis, and Contemporary Narrative: Textual Horizons in an Age of Global Risk, edited by Paul Crosthwaite, Routledge, 2011, pp. 1-11.
- Davey, Frank. Karla’s Web: A Cultural Investigation of the Mahaffy-French Murders. Revised ed., Penguin, 1995.
- Edwards, Justin D. Gothic Canada: Reading the Spectre of a National Literature. U of Alberta P, 2005.
- Hahn, James. “‘It Should Never Have Occurred’: Documentary Appropriation, Resistant Reading, and the Ethical Ambivalence of McAlmon’s Chinese Opera.” Canadian Literature, no. 237, Spring 2019, pp. 85-100.
- Huffman, Kerri. “Lynn’s Case.” Taddle Creek, no. 1, 1997, www.taddlecreekmag.com/lynns-case.
- Jones, Manina. That Art of Difference: “Documentary-Collage” and English-Canadian Writing. U of Toronto P, 1993.
- Kamboureli, Smaro. “The Limits of the Ethical Turn: Troping towards the Other, Yann Martel, and Self.” University of Toronto Quarterly, vol. 76, no. 3, 2007, pp. 937-61.
- Little, Janine Mary. “Jill Meagher CCTV: Gothic Tendencies in Narratives of Violence and Gender Justice.” Feminist Media Studies, vol. 15, no. 3, 2015, pp. 397-410.
- Makin, Kirk. Introduction. Williams, pp. vii-xi.
- Nichols, Bill. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. U of California P, 2016.
- Reinhardt, Mark. “Painful Photographs: From the Ethics of Spectatorship to Visual Politics.” Ethics and Images of Pain, edited by Asbjørn Grønstad and Henrik Gustafsson, Routledge, 2012, pp. 33-56.
- Scobie, Stephen. Signature Event Cantext. NeWest Press, 1989.
- Scott, Shelly. “Violent Women: The Bernardo/Homolka Case in Famous by Carol Bolt and Paul’s Case by Lynn Crosbie.” Theatre Research in Canada, vol. 22, no. 1, 2001, pp. 58-71. Erudit Open Access Journals, journals.lib.unb.ca/index.php/tric/article/view/7019/8078.
- Spargo, Clifton R. Vigilant Memory: Emmanuel Levinas, the Holocaust, and the Unjust Death. Johns Hopkins UP, 2006.
- Stoneman, Ethan. “Reel Cruelty: Voyeurism and Extra-Judicial Punishment in True-Crime Documentaries.” Crime Media Culture, vol. 17, no. 3, 2020, pp. 401-19.
- Strange, Carolyn. The Death Penalty and Sex Murder in Canadian History. U of Toronto P, 2020.
- “A Touch of Brimstone.” Directed by James Hill, performance by Patrick Macnee and Diana Rigg, The Avengers, season 4, episode 21, ABC Television, 1966.
- Williams, Stephen. Invisible Darkness: The Strange Case of Paul Bernardo and Karla Homolka. 1996. Bantam, 1998.