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Tyard, Pontus de. Oeuvres complètes. Tome II, 2. Solitaire second, ou, Discours de la musique. Éd. Philippe Vendrix

  • John McClelland

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  • John McClelland
    Université de Toronto

Cover of Special issue: La querelle des genres: Paradoxes and Models for the “Perfection” of Women (12th–17th centuries), Volume 46, Number 3-4, Summer–Fall 2023, pp. 9-598, Renaissance and Reformation / Renaissance et Réforme

Online publication: April 2, 2024

URI
https://id.erudit.org/iderudit/1110415ar CopiedAn error has occurred
DOI
https://doi.org/10.33137/rr.v46i3.42720 CopiedAn error has occurred

A review of the journal Renaissance and Reformation / Renaissance et Réforme

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 46, Number 3-4, Summer–Fall 2023, p. 582–584
Special issue: La querelle des genres: Paradoxes and Models for the “Perfection” of Women (12th–17th centuries)

© John McClelland, 2024

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