Abstracts
Abstract
This essay reads Byron’s personal and historical reflections in Manfred and Childe Harold’s Pilgrimage through Nietzsche’s meditations on memory and forgetting in Untimely Meditations. These poetic recollections are explored as moments of wilful erasure. Central to Nietzsche’s thoughts “On the Use and Disadvantages of History for Life” is how single moments are forgotten only to be unwillingly recalled at some future present historical moment. Byron’s desire to forget biography and history, paradoxically, produces a capacity to remember. Byron’s meditations on historical ruins become his own imaginative reflections on both the impulse to, and impossibility of, recovering historical and personal origins or securing an authorial posthumous reputation.
Appendices
Works Cited
- Addison, Catherine. “Narrator’s Identity and Stanza Form in the Venetian Sections of Childe Harold IV and ‘Beppo,’” Societe Française des Etudes Byroniennes 14.2 (2007): 47-56.
- Bennett, Andrew. Romantic Poets and the Culture of Posterity. Cambridge: Cambridge UP, 1999.
- Beatty, Bernard and Vincent Newey, eds. Byron and the Limits of Fiction. Liverpool: Liverpool UP, 1988.
- Bone, Drummond, ed. The Cambridge Companion to Byron. Cambridge: Cambridge UP, 2004.
- Burke, Séan. “The Responsibilities of the Writer,” Literary Theory and Criticism: An Oxford Guide. Ed. Patricia Waugh. Oxford: Oxford UP, 2006.
- Byron, George Gordon. Byron’s Letters and Journals. Ed. Leslie A. Marchand. Vol 5. London: Murray, 1982.
- Byron, George Gordon. Byron: The Complete Poetical Works. Eds. Jerome J. McGann and Barry Weller. 7 Vols. 1986. Oxford: Oxford UP, 1992.
- Byron, George Gordon. The Works of Byron: with his Letters and Journals, and his Life. Ed. Thomas Moore. London: Murray, 1883.
- Cardwell, Richard, ed. The Reception of Byron in Europe: Northern, Central, and Eastern Europe. Vol 2. London: Continuum, 2004.
- Cate, Curtis. Friedrich Nietzsche: A Biography. London: Pimlico, 2003.
- Coleridge, Samuel Taylor. Biographia Literaria: Or Biographical Sketches of My Lifeand Work. 2 parts, vol 7. The Collected Works of Samuel Taylor Coleridge. Eds. James Engell and W. Jackson Bate. London: Routledge, 1983.
- Garber, Frederick. Self, Text, and Romantic Irony: The Example of Byron. Princeton, NJ: Princeton UP, 1988.
- Haslett, Moyra. Don Juan and the Don Juan Legend. Oxford: Clarendon, 1997.
- Keats, John. The Poems of John Keats. Ed. Jack Stillinger. Cambridge, MA: Belknap-Harvard UP, 1978.
- Kelsall, Malcolm. Byron’s Politics. Brighton: Harvester, 1987.
- Kostadinova, Vitana. “The Rise of the Sublime and the Fall of History,” Érudit 1 (2005): 189-202.
- Lansdown, Richard. Byron’s Historical Dramas. Oxford: Clarendon, 1992.
- Love, Frederick. Young Niezsche and the Wagnerian Experience. University of North Carolina Studies in the Germanic Languages and Literatures Ser. 39. Chapel Hill, NC: U of North Carolina P, 1963.
- Manning, Peter. Byron and His Fictions. Detroit: Wayne State UP, 1978.
- McGann, Jerome. The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Clarendon, 1985.
- McGann, Jerome. “Private Poetry, Public Deception.” Byron and Romanticism. Ed. James Soderholm. Cambridge: Cambridge UP, 2002.
- Mole, Tom. Byron’s Romantic Celebrity. Basingstoke; New York: Palgrave, 2007.
- Nietzsche, Friedrich. Beyond Good and Evil: Prelude to a Philosophy of the Future. 1973. Trans. R. J. Hollingdale and intro. Michael Tanner. Harmondsworth: Penguin, 1990.
- Nietzsche, Friedrich. Daybreak: Thoughts on the Prejudices of Morality. 1982. Trans. R. J. Hollingdale and intro. Michael Tanner. Cambridge: Cambridge UP, 1995.
- Nietzsche, Friedrich. Ecco Homo: How One Becomes What One Is. 1979. Trans. and intro. R. J. Hollingdale. Harmondsworth: Penguin, 1988.
- Nietzsche, Friedrich. Human, All Too Human: A Book for Free Spirits. 1986. Trans R. J. Hollingdale and intro. Richard Schact. Cambridge: Cambridge UP, 1996.
- Nietzsche, Friedrich. On the Genealogy of Morals. 1996. Trans. Douglas Smith. Oxford: Oxford UP, 1998.
- Nietzsche, Friedrich. Untimely Meditations. 1983. Trans. R. J. Hollingdale and intro. J. P. Stern. Cambridge: Cambridge UP, 1995.
- Nietzsche, Friedrich. Thus Spoke Zarathustra. Trans. and intro. R. J. Hollingdale. Harmondsworth: Penguin, 1969.
- Rawes, Alan. Byron’s Poetic Experimentation. Aldershot; Burlington, VT: Ashgate, 2000.
- Sandy, Mark.“‘Ruinous Perfection:’ Reading and Writing Romantic Fragments,” Romanticism and Form. Ed. Alan Rawes. Basingstoke; New York: Palgrave, 2007: 60-77.
- Sandy, Mark. Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre. Aldershot: Burlington, VT: Ashgate, 2005.
- Shakespeare, William. King Lear. 1972. Arden Shakespeare. Ed. Kenneth Muir. Routledge: London; New York, 1989.
- Shelley, Percy Bysshe. Shelley’s Poetry and Prose: The Authoritative Texts. Ed. Donald H. Reiman and Neil Fraistat. Norton: New York, 2002.
- Soderholm, James. “Byron, Nietzsche, and the Mystery of Forgetting,” CLIO: A Journal of Literature, History, and the Philosophy of History 23 (1993): 51-62.
- Soderholm, James. ed. Byron and Romanticism. Cambridge: Cambridge UP, 2002.
- Stabler, Jane, ed. Byron. Longman Critical Readers Ser. London: Longman, 1998.
- Stabler, Jane, Byron, Poetics, and History. Cambridge: Cambridge UP, 2002.
- Thatcher, David S. “Nietzsche and Byron,” Nietzsche-Studien 3 (1974): 130-51.
- Thomas, Sophie. “Assembling History: Fragments and Ruins,” European Romantic Review 14 (2003): 177-86.
- Watkins, Daniel P. A Materialist Critique of English Romantic Drama. Gainsville, FL: U of Florida P, 1993.