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How We Became What We Are: Deanna Bowen’s Forensic Gaze

  • Jacob Gallagher-Ross

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Cover of salt. For the preservation of Black diasporic visual histories, Volume 47, Number 2, 2022, pp. 3-141, RACAR : Revue d'art canadienne / Canadian Art Review

Online publication: Dec. 14, 2022

URI
https://id.erudit.org/iderudit/1094910ar CopiedAn error has occurred
DOI
https://doi.org/10.7202/1094910ar CopiedAn error has occurred

A document of the journal RACAR : Revue d'art canadienne / Canadian Art Review

Volume 47, Number 2, 2022, p. 74–85
salt. For the preservation of Black diasporic visual histories

Tous droits réservés © UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada), 2022

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