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Kirsty Robertson, Tear Gas Epiphanies: Protest, Culture, Museums, Montreal and Kingston: McGill-Queen’s University Press, 2019, 432 pp. 51 illus. with colour section, $ 125 (cloth) ISBN 9780773557000 $ 39.95 (paperback) ISBN 9780773557017 $ 39.95 (ePDF) ISBN 9780773558298

  • Mariane Bourcheix-Laporte

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Cover of Stay Still: Past, Present, and Practice of the Tableau Vivant, Volume 44, Number 2, 2019, pp. 5-214, RACAR : Revue d'art canadienne / Canadian Art Review

Online publication: March 23, 2020

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https://id.erudit.org/iderudit/1068331ar CopiedAn error has occurred
DOI
https://doi.org/10.7202/1068331ar CopiedAn error has occurred

A review of the journal RACAR : Revue d'art canadienne / Canadian Art Review

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 44, Number 2, 2019, p. 206–208
Stay Still: Past, Present, and Practice of the Tableau Vivant

Tous droits réservés © UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada), 2019

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