LivresBooks

Catherine M. Soussloff, The Absolute Artist: The Historiography of a Concept. Minneapolis, University of Minnesota Press, 1997, 204 pp., 8 illus.

  • Allister Neher

…more information

  • Allister Neher
    Dawson College

Cover of Postures et impostures de l’artiste moderne, Volume 26, Number 1-2, 1999, pp. 1-116, RACAR : Revue d'art canadienne / Canadian Art Review

Online publication: Sept. 18, 2020

URI
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DOI
https://doi.org/10.7202/1071556ar CopiedAn error has occurred

A review of the journal RACAR : Revue d'art canadienne / Canadian Art Review

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 26, Number 1-2, 1999, p. 104–111
Postures et impostures de l’artiste moderne

Tous droits réservés © UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada), 2002

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