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Nathalie Heinich, Ce que l’art fait à la sociologie. Paris, Les Éditions de Minuit, 1998, 90 pp.

  • Francine Couture

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  • Francine Couture
    Université du Québec à Montréal

Cover of Postures et impostures de l’artiste moderne, Volume 26, Number 1-2, 1999, pp. 1-116, RACAR : Revue d'art canadienne / Canadian Art Review

Online publication: Sept. 18, 2020

URI
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DOI
https://doi.org/10.7202/1071554ar CopiedAn error has occurred

A review of the journal RACAR : Revue d'art canadienne / Canadian Art Review

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 26, Number 1-2, 1999, p. 98–99
Postures et impostures de l’artiste moderne

Tous droits réservés © UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada), 2002

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