Abstracts
Abstract
This study of Amelia Rosselli’s third major collection follows the chronological order of the poems’ composition, clarifying the poet’s intentions to embark on a path that privileges internal objectivity and communication. Careful attention is paid to the derivation from Petrarch and medieval Italian love poetry. The love theme is tied to a spiritual problematic evident in the book’s extensive use of sacred and Christological imagery. This finds the subject in often ambiguous situations of tension and trial that nevertheless express her goal of freedom in defense of the dignity of the person. This religious-philosophical vein is likened to the current of personalism that emerged in France and Europe in the years of Rosselli’s formation.
Keywords:
- Amelia Rosselli,
- poetics,
- personalism,
- Petrarch,
- Pareyson,
- Pasternak
Appendices
Bibliography
- Alighieri, Dante. The Divine Comedy of Dante Alighieri. Inferno. Translated with Introduction by Allen Mandelbaum. Notes by A. Mandelbaum and G. Marruzzo with L. Magnus. New York: Bantam, 1980.
- Barile, Laura. “L’albero del tasso di Silvia Plath.” In Barile, Avvicinamento alla poesia di Amelia Rosselli, Pacini, 2015, pp. 31–47.
- Bonhoeffer, Dietrich. Letters and Papers from Prison. Edited by Eberhard Bethge, Macmillan, 1972.
- Carpita, Chiara. “Per una poetica dell’inclinazione: Scrittura del trauma ed etica relazionale nella poesia di Amelia Rosselli.” Carte italiane, vol. 2, no. 11, 2017, pp. 21–42. https://doi.org/10.5070/C9211031006.
- Fortini, Franco. Saggi ed epigrammi. Edited by Luca Lenzini, Mondadori, 2003.
- Fusco, Florinda. Amelia Rosselli. Palumbo, 2007.
- Goethe, Johann Wolfgang von. Theory of Colours. Translated with notes by Charles Lock Eastlake, MIT Press, 1970.
- Greimas, A. J., Dell’imperfezione. Translated by G. Marrone, Sellerio, 2004.
- Kertzer, David. The Pope and Mussolini: The Secret History of Pius XI and the Rise of Fascism in Europe. Random House, 2014.
- Orlandi, Guido, and Ernesto Lamma. Rime di Guido Orlandi: Rivedute sui codici e sulle stampe. Galeati, 1898.
- Pareyson, Luigi. “Summary of Introduction to Pareyson, Esistenza e persona.” Esprit, April–June 1986, pp. 38–39.
- Pascal, Blaise. Pensées. Translated by W.F. Trotter, 1660. https://www.leaderu.com/cyber/books/pensees/pensees.html.
- Peterson, Thomas E. “Love and Death in the Poetry of Amelia Rosselli.” Women Language Literature in Italy / Donne Lingua Letteratura in Italia, vol. 2, 2020, pp. 83–100.
- Petrarca, Francesco. De vita solitaria. In Opere latine, edited by A. Bufano, vol. 1, UTET, 1975, pp. 261–565.
- Petrarca, Francesco. Petrarch’s Songbook: Rerum vulgarium fragmenta. Translated by James Wyatt Cook, Mediaeval and Renaissance Texts and Studies, 1995.
- Rosselli, Amelia. È vostra la vita che ho perso: Conversazioni e interviste 1963–1995. Edited by Monica Venturini and Silvia De March, Le Lettere, 2010.
- Rosselli, Amelia. L’opera poetica. Edited by Stefano Giovannuzzi, Mondadori, 2012.
- Rosselli, Amelia. Una scrittura plurale: Saggi e interventi critici. Edited by Francesco Caputo, Interlinea, 2004.
- Segre, Cesare. Tempo di bilanci: La fine del Novecento. Einaudi, 2005.
- Sermini, Sara. “With the slip of the pen you”: Amelia Rosselli e Boris Pasternak.” Versants, vol. 2, no. 64, 2017, pp. 123–32. https://doi.org/10.22015/V.RSLR/64.2.12.
- Spitzer, Leo. Classical and Christian Ideas of World Harmony. Edited by Anna Granville Hatcher, Johns Hopkins Press, 1963.
- Tiefel, Hans. “The German Lutheran Church and the Rise of National Socialism.” Church History, vol. 41, no. 3, Sept. 1972, pp. 326–36. https://doi.org/10.2307/3164219.
- Vaglio Tanet, Maddalena. Babeling: Language, Meter, and Mysticism in Amelia Rosselli’s Poetry. 2017. Columbia University, PhD dissertation. https://doi.org/10.7916/D85X2N7N.
- Williams, Thomas D., and Jan Olof Bengtsson. “Personalism.” In Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta. https://plato.stanford.edu/entries/personalism.
- Zanzotto, Andrea. Aure e disincanti nel Novecento letterario. Mondadori, 1994.