Abstracts
Keywords:
- Otherness,
- Baroque,
- Strange,
- Alterity,
- Italian Literature,
- Italian Language
Download the article in PDF to read it.
Download
Appendices
Bibliography
- Bal, Mieke. “Baroque Matters.” Rethinking the Baroque. Edited by Helen Hills, Ashgate, 2011, pp. 183–202.
- Benjamin, Walter, and Howard Eiland. Origin of the German Trauerspiel. Harvard UP, 2019, https://dx.doi.org/10.4159/9780674916357.
- Chiampi, Irlemar. “The Baroque at the Twilight of Modernity.” In Baroque New Worlds: Representation, Transculturation, Counterconquest. Edited by Lois P. Zamora and Monika Kaup. Duke UP, 2010, pp. 508–528, https://dx.doi.org/10.1515/9780822392521.
- Deleuze, Gilles. The Fold: Leibniz and the Baroque. U of Minnesota P, 2015.
- Folengo, Teofilo. Baldo. Harvard UP, 2007.
- Galilei, Galileo. Opere. Edited by Antonio Favaro, Giunti Barbèra, 1890–1909. 20 vols.
- Lewis, C. S. The Problem of Pain. Samizdat UP, 2016.
- Moser, Walter. “The Concept of Baroque.” Revista Canadiense de Estudios Hispánicos, vol. 33, no. 2, 2008, pp. 11–37, https://www.jstor.org/stable/27764241.
- Ors, Eugenio, Agathe Rouart-Valéry, and Frédéric Dassas. Du Baroque. Gallimard, 2000.
- Otto, Rudolf. Autobiographical and Social Essays. De Gruyter, 2015, https://doi.org/10.1515/9783110814767.
- Pulci, Luigi. Morgante: The Epic Adventures of Orlando and His Giant Friend Morgante. Indiana UP, 2000.
- Tassoni, Alessandro. La secchia rapita: 2, redazione definitiva. Antenore, 1990.
- Wölfflin, Heinrich. Principes fondamentaux de l’histoire de l’art: Le problème de l’évolution du style dans l’art moderne. Pocket, 2016.