Appendices
Bibliography
- Browder, Laura. 2006. “Dystopian Romance: True Crime and the Female Reader. Journal of Popular Culture 39, no. 6: 928–953.
- Grizzaffi, Chiara. 2020. “Poeticizing the Academy: Poetic Approaches to the Scholarly Audiovisual Essay.” The Cine-Files 15 (Fall 2020). http://www.thecine-files.com/poeticizing-the-academy/
- Grizzaffi, Chiara and Scomazzon, Giulia. 2021. “Stories of Haunted Houses: Female Subjects and Domestic Spaces in Contemporary Gothic Films and TV Series.” [in]Transition: Journal of Videographic Film and Moving Image Studies 8, no. 2. JCMS Media Commons. http://mediacommons.org/intransition/stories-haunted-houses-female-subjects-and-domestic-spaces-contemporary-gothic-films-and-tv-series.
- Hinrichsen, Lisa, Gina Caison, and Stephanie Rountree. 2017. “Introduction: The Televisual South.” Small-Screen Souths: Region, Identity, and the Cultural Politics of Television, edited by Lisa Hinrichsen, Gina Caison, and Stephanie Rountree, 1-47. Baton Rouge: Louisiana State University Press.
- Jowett, Lorna, and Stacey Abbott. 2012. TV Horror : Investigating the Darker Side of the Small Screen. London: I. B. Tauris.
- Mittell, Jason. 2007. “Lost in a Great Story.” Just TV. https://justtv.wordpress.com/2007/10/23/lost-in-a-great-story/
- Mittell, Jason. Complex TV: the Poetics of Contemporary Television Storytelling. London: New York University Press, 2015.
- Wood, Robin. 1978. “Return of the Repressed.” Film Comment, vol. 14, no. 4 (July/August): 24-32, 80.