Canadian Historical Association’s Wallace K. Ferguson Roundtable in non-Canadian HistoryAbigail Krasner Balbale’s The Wolf King: Ibn Mardanish and the Construction of Power in al-AndalusTable ronde du prix Wallace-K.-Ferguson en histoire non canadienne de la Société historique du Canada

Coinage and Kingship in al-Andalus[Record]

  • Mohamad Ballan

Abigail Krasner Balbale’s The Wolf King: Ibn Mardanīsh and the Construction of Power in al-Andalus, is a major achievement. It sheds new light on the dynamic borderland context of twelfth-century Iberia, a world of shifting political frontiers, cultural and intellectual efflorescence, overlapping spheres of culture and authority, and the intersection between various networks of exchange. The “Wolf King,” the figure who is focus of the study, has been known by several names across the various linguistic and cultural traditions of medieval Iberia: Rex Lupus in Latin, El Rey Lobo in Spanish, and Abū ʿAbd Allāh Muḥammad b. Saʿd b. Mardanīsh in Arabic. The Wolf King constitutes the first comprehensive English-language study about Ibn Mardanīsh (d. 1172), while also critically assessing the historiographical construction of his legend from the Middle Ages to the present. Drawing upon methodologies from history, Islamic studies, and art history, and a rich array of sources — chronicles, chancery documents, poetry, coinage, architecture and portable objects — Balbale examines Ibn Mardanīsh’s articulation of royal sovereignty, religious identity and political legitimacy. The Wolf King provides insights into the complex career and legacies of a local ruler whose alliances encompassed an array of political actors ranging from Iberian Christian kings, Genoese and Pisan merchants, and Andalusi nobles; a leader of an independent principality who recognized the sovereign authority of both a Christian king in Castile and an Abbasid caliph in Baghdad (minting coins in the name of the latter); a master strategist and frontier warrior renowned for transforming Murcia into a cultural and intellectual centre; and the founder of a dynasty whose marriage alliances and family strategy was so elaborate that his maternal grandson would eventually rise to the position of Almohad caliph, leader of an empire that had once seen Ibn Mardanīsh as its “single, most formidable enemy.” The Wolf King situates Ibn Mardanīsh within complex networks of affiliation and resistance extending from Castile and North Africa to Baghdad, emphasizing his connections with both Latin Christendom and the broader Islamic world. The book, working across multiple languages, genres, and fields, successfully challenges the still often prevalent paradigm of al-Andalus as a peripheral or exceptional place, while illustrating the various ways in which it was more closely integrated with its Christian neighbours and with the Islamic East than is typically understood. There are many significant historical, historiographical, and methodological achievements here, but I would like to highlight one in particular. A significant accomplishment of the book is its brilliant usage of material culture as well as textual sources for reconceptualizing Andalusi history during the twelfth century. Doing so constitutes a major methodological intervention in the ways that it employs epigraphic, iconographic, and numismatic evidence alongside (and sometimes against) written sources to reconstruct and reevaluate the political ideology of Ibn Mardanīsh, which is particularly evident in chapters 3–5. These chapters incorporate both textual evidence and material culture to successfully complicate the conventional representation of Ibn Mardanīsh by providing insights into his ambitious cultural and political program, which included the patronage of intellectuals and religious scholarship; the recognition of the Abbasid caliphate; the deployment of a specific set of aesthetic, artistic and architectural motifs; intricate diplomacy with Latin Christendom; and the instrumentalization of Arab Muslim lineage to legitimize his reign both within the region and among his contemporaries in the broader Mediterranean world. Throughout the book, Balbale successfully demonstrates her central claim that “objects, architecture, and archaeology can expose, through their materials, forms and techniques, and movement, the aspirations and affiliations of those who produced or collected them and, in the process, highlight the routes of people, goods …

Appendices

Appendices