Kamp, Michiel, Tim Summers et Mark Sweeney (éd.), Ludomusicology: Approaches to Video Game Music, Sheffield/Bristol : Equinox, 2016, 231 p. ISBN 9781781791981

Brasseur Masse, Justine

doi:https://doi.org/10.7202/1051604ar

Cheng, William. 2014. Sound Play: Video Games and the Musical Imagination. New York : Oxford University Press.

10.1093/acprof:oso/9780199969968.001.0001 Google Scholar

Collins, Karen. 2008. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot : Ashgate.

Collins, Karen. 2008. Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design. Cambridge (MA) : MIT Press.

Google Scholar

Collins, Karen. Playing with Sound: A Theory of Interacting with Sound and Music in Video Games. Cambridge (MA), MIT Press.

Google Scholar

Donnelly, Kevin J., William Gibbons et Neil Lerner (éd.).2014. Music in Video Games: Studying Play. Londres/New York : Routledge.

10.4324/9781315882697 Google Scholar

Elferen van, Isabella. 2016. « Analysing Game Musical Immersion : The ALI Model ». Ludomusicology sous la dir. de Michiel, Kamp, Tim Summers et Mark Sweeney, 33. Sheffield/Bristol : Equinox

Google Scholar

Fritsch, Melanie. 2016. « «It’s a-me, Mario!» : Playing with Video Game Music ». Ludomusicology sous la dir. de Michiel, Kamp, Tim Summers et Mark Sweeney, 100. Sheffield/Bristol : Equinox

Google Scholar

Gibbons, William . 2016. « Remixed Metaphors : Manipulating Classical Music and its Meanings in Video Games ». Ludomusicology sous la dir. de Michiel, Kamp, Tim Summers et Mark Sweeney, 218. Sheffield/Bristol : Equinox

Google Scholar

Gonzalo Frasca. 1999. « Ludology Meets Narratology : Similitude and Differences between (Video) Games and Narrative ». http://www.ludology.org/articles/ludology.htm (consulté le 12 décembre 2017).

Google Scholar

Grimshaw, Mark. 2011. Game Sound Technology and Player Interaction: Concepts and Developments. Hershey : Information Science Reference.

10.4018/978-1-61692-828-5 Google Scholar

Huntley, John et Roger Manvell. 1957. The Technique of Film Music. Londres : Focal Press.

Google Scholar

Kamp, Michiel, Tim Summers, Mark Sweeney et Melanie Fritsch, Ludomusicology : Videogame Music Research Group,http://www.ludomusicology.org/ ( consulté le 12 décembre 2017).

Google Scholar

Moormann, Peter (éd.). 2013. Music and Game: Perspectives on a Popular Alliance. Wiesbaden : Springer.

10.1007/978-3-531-18913-0 Google Scholar

Moseley, Roger. 2013. « Playing Games with Music (and Vice Versa): Ludomusicological Perspectives on Guitar Hero and Rock Band ». Taking It to the Bridge: Music as Performance, sous la dir. de N. Cook et R. Pettengill, 279–318. Ann Arbor : University of Michigan Press.

Google Scholar

The Soundtrack. octobre 2015. Intellect, 8, n^o 1–2, http://www.ludomusicology.org/2015/12/10/the-soundtrack-vol-8-iss-1–2-double-special-issue-published/ (consulté le 20 novembre 2017).

Google Scholar

Whalen, Zach. 2007. « Film music vs. Video-Game Music: the Case of Silent Hill ». Music, Sound and Multimedia: From the Live to the Virtual, sous la dir. de J. Sexton, 68–81. Edinburgh : Edinburgh University Press.

Google Scholar

Whalen, Zach. 2004. « Play Along—An Approach to Videogame Music ». Game Studies, 4 n^o 1. [En ligne].

Google Scholar

Kamp, Michiel, Tim Summers et Mark Sweeney (éd.), Ludomusicology: Approaches to Video Game Music, Sheffield/Bristol : Equinox, 2016, 231 p. ISBN 9781781791981[Record]

Bibliographie

Appendices

Bibliographie

Citation Tools

Cite this article

Export the record for this article