Download the article in PDF to read it.
Download
Appendices
Biographical note
Ethnomusicologist Michael B. MacDonald is post-doctoral researcher at the University of Alberta Centre for Teaching and Learning whose work explores the application of critical pedagogy to music history education and eco-critical musicology. He has contributed to Walking the Line: Country Music Lyricists and the American Literary Canon and Vis-à-vis: Explorations in Anthropology, and won the Society for American Music’s Cambridge University Press Award for a paper co-authored with Mary Ingraham. He founded and edits Sound and Noise, an electronic journal and blog for U of A students.
Bibliography
- Agawu, Kofi. 1995. African Rhythm: A Northern Ewe Perspective. New York: Cambridge University Press.
- Berleant, Arnold. 1992. The Aesthetics of Environment. Philadelphia, PA: Temple University Press.
- Berleant, Arnold. 2000. The Aesthetic Field. New York: Cybereditions.
- Berleant, Arnold. 2010. Sensibility and Sense: The Aesthetic Transformation of the Human World. Charlottesville, VA: Imprint Academic.
- Davis, Wade. 2009. The Wayfinders: Why Ancient Wisdom Matters in the Modern World. Toronto: House of Anasi Press.
- Dewey, John. 1934. Art as Experience. New York: Capricorn Books.
- Feld, Steven. 1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. 2nd ed. Philadelphia, PA: University of Pennsylvania Press.
- hooks, bell. 1990. Yearning: Race, Gender, and Cultural Politics. Boston, MA: South End Press.
- Seeger, Anthony 2004. Why Suya Sing: A Musical Anthropology of an Amazonian People. Chicago: University of Illinois Press.
- Sloboda, John A. 1985. The Musical Mind: The Cognitive Psychology of Music. New York: Oxford University Press.
- Small, Christopher. 1996. Music, Society, Education. Hanover, NH: Weslyan University Press.
- Tenzer, Michael. 2006. Analytical Studies in World Music. New York: Oxford University Press.