Download the article in PDF to read it.
Download
Appendices
Biographical note
Jeremy Strachan is a PhD candidate in musicology at the University of Toronto. He is researching experimental music in Toronto during the 1960s with a focus on the music and thinking of Udo Kasemets. His paper “Udo Kasemets, Canavangard, and the 1960s” won the 2011 SOCAN Foundation / George Proctor Prize. Jeremy was recently nominated for the 2011 K. M. Hunter Artist Award in music, and he remains active as a performer in creative music.
Bibliography
- Anhalt, Istvan. 1984. Alternative Voices: Essays on Vocal and Choral Composition. Toronto: University of Toronto Press.
- Elliott, Robin. 2011. “Istvan Anhalt: A Portrait from Memory.” Paper delivered at the Canadian University Music Society / Canadian Association of Music Libraries Conference, Mount Allison University, Sackville, NB, 3 June.
- Lambert, Gavin, ed. 1997. Dear Ned, Dear Paul: The Correspondence of Ned Rorem and Paul Bowles. Hanover, NH: Elysium.
- Lonitz, Henri, ed. 2005. Theodor W. Adorno and Alban Berg Correspondence 1925–1935. Trans. Wieland Hoban. Cambridge, UK: Cambridge University Press, 2005.
- Nattiez, Jean-Jacques, ed. 1993. The Boulez-Cage Correspondences. Cambridge, UK: Cambridge University Press.
- Nectoux, Jean-Michel, ed. 2004. The Correspondence of Camille Saint-Saëns and Gabrielle Fauré: Sixty Years of Friendship, translated by J. Barrie Jones. Burlington, VT: Ashgate.
- Rochberg, George. 2005. The Aesthetics of Survival: A Composer’s View of Twentieth-Century Music. Ann Arbour: University of Michigan Press.