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Appendices
Note biographique
Daniel Sheridan is a doctoral candidate in the Cultural Mediations program of the Institute for Comparative Studies in Literature, Art, and Culture at Carleton University. His research interests are focused on nineteenth-century operatic and symphonic music as cultural practices and their importance in the formation of individual and collective identities. He is writing a dissertation on Wagner’s adaptations and transformations of grand opera and how they position performing bodies as stages for the performance and production of narratives of German nationhood.
Bibliographie
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- Foucault, Michel. 1972. The Archaeology of Knowledge & The Discourse on Language. Translated by A.M. Sheridan Smith. New York: Pantheon Books.
- Lee, M. Owen. 1999. Wagner: The Terrible Man and His Truthful Art. Toronto: University of Toronto Press.
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- Poizat, Michel. 1992. The Angel’s Cry: Beyond the Pleasure Principle in Opera. Translated by Arthur Denner. Ithaca: Cornell University Press.
- Shaw, George Bernard. 1981. “The Perfect Wagnerite: A Commentary on The Nibelung’s Ring.” In 1893–1950. Vol. 3 of Shaw’s Music: The Complete Musical Criticism in Three Volumes, ed. Dan H. Laurence, 408–545. London: Bodley Head.
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- Tomlinson, Gary. 1999. Metaphysical Song: An Essay on Opera. Princeton, NJ: Princeton University Press.