Abstracts
Abstract
This paper explores how the pandemic intersects with religious nationalism in Pakistan and isolates vulnerable groups through the use of its colonial-era Blasphemy Laws. Using the August 2020 case of a music video shoot inside a mosque, the paper emphasizes the role of social media ‘cancel culture’ in mobilizing these laws to persecute ‘wrongdoers’ in the name of ‘Islam’. The paper confronts power relations and creates new knowledge to challenge prevailing hegemonic structures by exploring the selective applicability of cancel culture and the Blasphemy Laws.
Résumé
Cet article explore la façon dont la pandémie s'entrecroise avec le nationalisme religieux au Pakistan et isole les groupes vulnérables en utilisant les lois sur le blasphème de l'époque coloniale. En s'appuyant sur le cas du tournage d'un clip vidéo à l'intérieur d'une mosquée en août 2020, l'article souligne le rôle de la « culture de l'annulation » des réseaux sociaux dans la mobilisation de ces lois pour persécuter les « malfaiteurs » au nom de « l'Islam ». L'article confronte les relations de pouvoir et crée de nouvelles connaissances pour remettre en question les structures hégémoniques dominantes en explorant l'applicabilité sélective de la culture de l'annulation et des lois sur le blasphème.
Appendices
Bibliography
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