Abstracts
Abstract
This article examines the interrogation of visual history associated with Goan church architectural legacies offered by Vishvesh Prabhakar Kandolkar’s installation series, This is Not the Basilica! (2021). The artist’s subject is the 16th-century Basilica of Bom Jesus, which was built in locally domesticated Baroque style during Goa’s Portuguese colonial era and which houses the remains of the Spanish saint, Francis Xavier. Kandolkar’s work makes viewers intimate with the Basilica’s history, I contend, so as to posit the need for conservation efforts that will save the deteriorating church while also revealing its unseen aesthetic past as a symbol of still-unfolding Goan identity.
Résumé
Cet article examine l'interrogation de l'histoire visuelle associée aux héritages architecturaux de l’églises de Goan offerte par la série d'installations de Vishvesh Prabhakar Kandolkar : Ceci n'est pas la basilique ! (2021). Le sujet de l'artiste est la basilique de Bom Jesus, construite au XVIe siècle dans un style baroque domestiqué à l’échelle locale à l'époque de la colonisation portugaise de Goa, et qui abrite les restes du saint espagnol François Xavier. L'œuvre de Kandolkar rend le spectateur intime avec l'histoire de la basilique, de manière à faire ressortir la nécessité d'efforts de conservation qui sauveront l'église en voie de détérioration tout en révélant son passé esthétique invisible en tant que symbole de l'identité goaienne qui n'a pas encore pris forme.
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Appendices
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