Abstracts
Abstract
We focus on the Ivan Honchar Museum National Centre of Folk Culture and three of its projects aimed at collecting, safeguarding, restoring, and promoting ICH (“Night of Traditional Dance,” “Kobzar Pentecost Festival” and “Oreli”). Having assembled one of the best collections of folk art and traditional material culture in Ukraine, the Ivan Honchar Museum has become a solid hub not only of tangible, but also intangible heritage, including oral traditions, arts, games, crafts, feasts, song, music, dance, and rituals. The article describes the circumstances in which folk singing, folk dance, and folk instrumental music can generate projects for successful folk festivals. In our times, the safeguarding of ICH means not only collection and archiving, but also support and promotion of its carriers, ensuring reproduction and transmission, developing consumers for this segment of culture, and involving children and youth.
Résumé
Nous nous concentrons sur le Centre national de culture populaire du Musée Ivan Honchar et sur trois de ses projets visant à collecter, sauvegarder, restaurer et promouvoir le PCI (« La nuit de la danse traditionnelle », le festival « Kobzar de Pentecôte » et « Oreli »). Ayant constitué l’une des meilleures collections d’art populaire et de culture matérielle traditionnelle d’Ukraine, le musée Ivan Honchar est devenu un pôle important centralisant non seulement le patrimoine matériel, mais aussi immatériel, comprenant les traditions orales, les arts, les jeux, l’artisanat, les fêtes, les chants, la musique, la danse et les rituels. L’article décrit les circonstances dans lesquelles le chant folklorique, la danse folklorique et la musique instrumentale folklorique peuvent générer des projets de festivals folkloriques réussis. À notre époque, la sauvegarde du PCI signifie non seulement la collecte et l’archivage, mais aussi le soutien et la promotion de ses porteurs, en assurant la reproduction et la transmission, en développant un public pour ce secteur de la culture et en impliquant les enfants et les jeunes.
Appendices
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