Roots of a Region: Southern Folk Culture. By John A. Burrison. (Jackson: University Press of Mississippi, 2007. Pp. v+236, contents, notes, bibliography, index, ISBN 978-1-934110-21-8, pbk.)

The book begins with Burrison’s personal folklore journey: his childhood encounter with Leadbelly, his introduction to folklore at Pennsylvania State University, and his experiences studying folklore at the graduate level at the University of Pennsylvania. After school he was given a job in the English Department at Georgia State University to develop an undergraduate folklore curriculum. Being given this task and moving to the South after spending his whole life in the Northeastern United States, Burrison began to take note of his surroundings, using the North as a point of comparison. With the help of his students, he began to pull out what he found to be the most defining characteristics of the South. In this book’s first chapter, Burrison broadly discusses the region in question by looking at its history and “fuzzy boundaries” (23) as well as the characteristics often associated with its people, their way of life, and their beliefs. The following chapter shifts to an attempt to define the region based on a series of folklore genres. Beginning with material culture and the basic necessities of life, Burrison explains how practical tools for living (such as food, homes, textiles) have come to give the South its current regional identity. He then moves to oral forms and folk beliefs that also give the region its unique character, all leading to the conclusion that the South is “A Region of Retentions” (79) by demonstrating continuity with the past. Chapter three allows Burrison to actually discuss the historical roots of some of the South’s defining characteristics by explaining the indigenous and international influences on the region and way of life. Part of what makes the South so unique are the African traditions that have played a major role in shaping numerous southern traditions, from song and dance to pottery and clothing. After completing these generalizations Burrison moves to the specific. His experience with studying folk pottery in the South becomes clear in the fourth chapter as he delves into the genre, particularly focused on jugs as they have developed in the South and discussing all of their possible origins. Burrison stays specific with the next chapter which focuses on Georgia as a representative state of the southern region. This chapter, though meant to encompass all of Georgia, focuses most of its attention on one particular ballad singer, and in no way gives a sense of what it means to be from Georgia or what is specifically Georgian about the way of life of the people in that state. By way of conclusion, the reader is confronted with a lament of losing an old way of life and dying traditions. However, Burrison remains hopeful that the urbanization of the South and the introduction of new immigrant groups will not mean the end of southern folklore and traditions, but rather a changing of them which will still allow for the retention of the old. On top of all the useful information, Burrison’s book is full of photographs that aid those not familiar with particular southern folklore (e.g., a joggling board) and provide examples of items from different areas of the world which demonstrate possible origins (e.g., jugs). Nearly every page of text is accompanied by a black and white photograph and the center of the book has an eight page spread of color plates. For the genres where images are not as useful, he includes the texts of stories, songs, jokes, and even musical notations. Although Burrison never actually defines his theoretical framework, he synthesizes his analysis periodically throughout his book and explains how the plantation system, Civil War, agrarian living, and …